Pequenos gestos, memórias disruptivas

Revolver o passado, reescrever o presente, transformar o futuro

Bibliographic Data

ID16926119
AuthorsFabricia Jordão (0000-0001-9177-2572, corresponding author)
Year2020
Volume25
Issue43
Publication date2020-06-21
Open AccessYes
TypeARTICLE
VenuePORTO ARTE: Revista de Artes Visuais (JOURNAL)
Journal identifiersISSN: 0103-7269 • E-ISSN: 2179-8001
PublisherUniversidade Federal do Rio Grande do Sul (PUBLISHER • BR)
DOI10.22456/2179-8001.104153
OpenAlexW3036105556
LanguagePT
Citations received2
References cited2

Considerando a prática curatorial como um espaço de poder e de disputas narrativas, apresento um relato crítico sobre o processo curatorial que culminou na exposição Pequenos gestos: memórias disruptivas,realizada entre outubro de 2019 e abril de 2020, no MAC-PR em Curitiba. Nesse sentido, reflito sobre os desafios, as possibilidades, os impasses e os limites de uma prática curatorial comprometida com os processos de decolonização do museu diante de uma coleção, constituída ao longo de quase cinco décadas, que conta com mais de 1.800 obras, majoritariamente de artistas – homens brancos – da região sul/sudeste. AbstractConsidering curatorial practice as a place of power and narratives dispu-te, we present a critical account of the curatorial process that culminated in the exhibition Small gestures: disruptive memories, held between October 2019 and April 2020, at MAC-PR at Curitiba. In this sense, we are interested in reflecting on what were the challenges, the possibilities, the impasses and the limits of a curatorial practice committed to the museum’s decolonization processes in the face of a collection created over almost five decades and which has more than 1,800 works, mostly by artists, whites man, from the south / southeast region

Art · Art history · Curitiba · Exhibition · Humanities · Literature · Narrative · Sociology · Arts and Performance Studies · Qualitative research in health · Urban and sociocultural dynamics

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