Sex og vold
Modeller og terrorister i Bret Easton Ellis’ Glamorama
Bibliographic Data
| ID | 16944758 |
|---|---|
| Authors | Henrik Skov Nielsen (0000-0001-9301-023X, Nordic Institute of Asian Studies, corresponding author) |
| Year | 2008 |
| Volume | 36 |
| Issue | 105 |
| Pages | 146-165 |
| Publication date | 2008-08-22 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | K&K - Kultur og Klasse (JOURNAL) |
| Journal identifiers | ISSN: 0905-6998 • E-ISSN: 2246-2589 |
| Publisher | Det Kgl. Bibliotek/Royal Danish Library (PUBLISHER) |
| DOI | 10.7146/kok.v36i105.22043 |
| OpenAlex | W2260619971 |
| Language | EN |
Sex and Violence:Literary critics have paid very little attention to Bret Easton Ellis’s book Glamorama. In fact no-one I know of has even undertaken the seemingly simple task of finding out what actually happens in the course of the narrative. In this article I will do just that and analyse the book by considering such basic parts of the book as its title, the first and last page and the plot. I will pay special attention to the multilayered violence. Using the distinctions by Slavoj Žižek, to whom I will turn at the end of the article, I will argue that the violence in Glamorama takes place at a subjective, a symbolic and a systemic level at the same time
Art · Epistemology · Literature · Narrative · Psychoanalysis · Sociology · Crime and Detective Fiction Studies · Gothic Literature and Media Analysis · History · Philosophy · Psychoanalysis, Philosophy, and Politics · Psychology
| Highly cited | No |
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