Studio Music Teachers’ Perceptions Towards Community Music Participation and Its Influence on Their Teaching Approaches
Datos Bibliográficos
| ID | 17575536 |
|---|---|
| Autores | Valerie Wong (0009-0002-9824-1760, The University of Queensland), Wong Li Qing Valerie (The University of Queensland, autor de correspondencia), Julie Ballantyne (0000-0003-1818-2220, The University of Queensland) |
| Año | 2026 |
| Fecha de publicación | 2026-03-20 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | International Journal of Music Education (JOURNAL) |
| Identificadores de la revista | ISSN: 0255-7614 • E-ISSN: 1744-795X |
| Editorial | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/02557614261430489 |
| OpenAlex | W7139968143 |
| Idioma | EN |
| Referencias citadas | 42 |
This study explores studio music teachers’ motivations for engaging in community music and how these experiences can enhance their teaching approaches. Semi-structured interviews were conducted with studio music teachers in Australia. A qualitative approach using thematic analysis was used to gain insights into their perspectives on community music involvement. Findings identified that being engaged with community music influenced the teaching approaches of studio music teachers in four ways: through student engagement, community engagement skills, managing practical challenges, and career development skills. A conceptual framework of Participatory Music-Making Teaching Methods was developed from the integration of these themes. The framework provides studio music teachers with guidelines towards enhancing their private studio practice to create more holistic, engaging, and effective learning environments for their students. Through this exploration, this study seeks to encourage more music educators to view community music engagements as professionally rewarding opportunities
Citizen journalism · Community of practice · Music education · Perception · Qualitative research · Studio · Thematic analysis · Diverse Music Education Insights · Diverse Musicological Studies · Music History and Culture
Community Music
Mind in Society
Apprenticeship in Thinking
Thematic analysis
Let’s play together
Differentiating between teaching experience and expertise in the music studio
Intergenerational music teaching and learning among preservice music teachers and senior adult musicians
Expertise in applied studio teaching
Understanding music teachers’ perceptions of themselves and their work
Inclusive music teacher education
The self-directed learning of adult music students
Drum circles and community music
Where have all the little ones gone? Young children and community music
Generating meaningfulness through lifelong and life-wide leisure engagement with music
Environment, intention and intergenerational music making
Investigating well-being and participation in Florida New Horizons ensembles through the Perma framework
Encouraging ‘Dependence’ in adult concert band settings
Isolation in studio music teaching
Mutual Learning and Democratic Action in Instrumental Music Education
The many ways of community music
This Is My Truth, Now Tell Me Yours
Can Community Music Contribute to More Equitable Societies? A Critical Interpretive Synthesis
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |