‘For the first time in ________ history…’
Microcelebrity and/as historicity in reality TV competitions
Bibliographic Data
| ID | 17814657 |
|---|---|
| Authors | Hunter Hargraves (California State University, Fullerton, corresponding author) |
| Year | 2018 |
| Volume | 9 |
| Issue | 4 |
| Pages | 503-518 |
| Publication date | 2018-08-22 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Celebrity Studies (JOURNAL) |
| Journal identifiers | ISSN: 1939-2397 • E-ISSN: 1939-2400 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/19392397.2018.1508952 |
| OpenAlex | W2888251167 |
| Language | EN |
| Citations received | 2 |
| References cited | 22 |
Nearly two decades after the explosion of primetime reality programming, many reality series claim a stylised historicity: an intentional and constant citational practice that stages the seasons, contestants, and events from a programme’s past as a way of reminding its audience about the programme’s impact on popular culture. This article examines this historicity and the production of microcelebrity within gamedocs. The creation of a programme’s history legitimises it as commodity, with the ‘history’ of a reality television series further extending the brand of a gamedoc. I turn to historicity – the affective perception of history – to describe the spectator’s investment in reality TV’s historical authenticity. Reality television uses microcelebrity as a vehicle to reroute history into collective memory, and chart two techniques (all-star seasons and the re-circulation of microcelebrities across a reality franchise) that gamedocs use to this effect. These techniques expand our understanding of microcelebrity through their affective production of fame, a fame that does not necessarily exist but is instead simulated through the rem(a)inders of a series’ archive. In shifting emphasis from history to historicity, I demonstrate how gamedocs must continuously update and reinvent its microcelebrities in order to sustain their own histories in a fast-paced convergent mediascape
Aesthetics · Art · Art history · Media studies · Movie theater · Political science · Reality television · Sociology · Television series · Visual arts · Cinema and Media Studies · Digital Games and Media · Gender, Feminism, and Media · History · Law
The Content of the Form
How To Do Things With Words
Theses on the Philosophy of History
A brief history of the GIF (so far)
Convergence Culture
Convergence Culture
Updating to Remain the Same
On Collective Memory
Watching Television Without Pity
Making the Most out of 15 Minutes
The kinder, gentler gaze of Big Brother
The mass production of celebrity
Reality TV Gives Back
When Bad Girls Go Good
Hegel's Ontology and the Theory of Historicity
Reality TV
Crossing Wavelengths
Habit Today
Subject, Psyche and Agency
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2022 - 2025 (4) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |