White Women, White Men, and Intra-Racial Diversity
A Data-Led Analysis of Gender Representation in the UK Film Industry
Bibliographic Data
| ID | 18970739 |
|---|---|
| Authors | Clive James Nwonka (0009-0000-3487-8127, London School of Economics and Political Science) |
| Year | 2021 |
| Volume | 15 |
| Issue | 3 |
| Pages | 430-454 |
| Publication date | 2021-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Cultural Sociology (JOURNAL) |
| Journal identifiers | ISSN: 1749-9755 • E-ISSN: 1749-9763 |
| Publisher | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/1749975520974565 |
| OpenAlex | W3107419071 |
| Language | EN |
| Citations received | 13 |
| References cited | 37 |
This article addresses the role of data in measuring diversity in the UK film industry and its mediation of underrepresented identities excluded from the sector. Through a data-led analysis of gender representation across 235 British films made from 2016, this study assesses the impact and success of the interventions made by the BFI Diversity Standards within the film industry, analysing the response data collected by the BFI for film productions that have adhered to the standards as a condition for production support. What empirical evidence do the Diversity Standards’ data offer for a link between gender representation and key roles, genres, and regional locations? The article then identifies some of the key drivers influencing the primacy of particular identities across the standards. I want to argue that gender-positive diversity, whilst representing a slender challenge to exclusion via the structural decrees of the BFI policy, can also be understood as the result of intra-race homophily, one that sustains a culture of whiteness and racial exclusion. The article concludes by considering the position of senior white men as the structuring agents upon whom rest the power to permit women entry, and the implications of both an absence of intersectional data and the rigid identity categories of the standards for the inclusion of BAME women in the film industry workforce
Diversity (politics) · Homophily · Identity (music) · Inclusion (mineral) · Mediation · Political science · Representation (politics) · Social science · Sociology · White (mutation) · Workforce · Cultural Industries and Urban Development · Gender Diversity and Inequality · Gender Politics and Representation · Gender Studies · Law
Communicative intersectionality
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International Mobility and the “Academic” Ethos of Women in the Global Contemporary Art World
Mobilité internationale et ethos « scolaire » des femmes dans le monde de l’art contemporain globalisé
Cameo Performance and Industrial Allegory in Joanna Hogg’s The Souvenir and The Souvenir
Tackling precarity and disadvantage
The role of cultural organisations in matters of equity, diversity, and inclusion
Women Off-Screen
‘If You Move in the Same Circles as the Royals, then You’ll Get Stories About Them’
Where are the working class in the British film industry? Data from the British Film Institute
Tools and measures for diversity and inclusion in media industries
Combining motherhood and work in the creative industries
Real queens fix each other's crowns
MeToo, Weinstein and Feminism
Freedom and control in modern society
Creative Labour
British Film Policy in an Age of Austerity
Controlling for openness in the male-dominated collaborative networks of the global film industry
Culture, Economy and Politics
Data and Responsibility
Explicit and Implicit Diversity Policy in the UK Film and Television Industries
What about the Men? Gender Inequality Data and the Rhetoric of Inclusion in the US and UK Film Industries
The New Babel
Diversity pie
Demarginalizing the Intersection of Race and Sex
The Routledge Companion to the Cultural Industries
And … action? Gender, knowledge and inequalities in the UK screen industries
Creative Diversity”
Race, Ethnicity, and Cultural Production
MeToo, popular feminism and the news
Gender equality in Swedish film policy
Unspeakable Inequalities
In its own image
Are the creative industries meritocratic? An analysis of the 2014 British Labour Force Survey
Resistance and Resignation
Cultural policy explicit and implicit
Empowered
Gender and Creative Labour
Producing and Consuming Inequality
The Politics of Race in Cultural Distribution
Birds of a Feather
My Britain is fuck all' zombie multiculturalism and the race politics of citizenship
The Racialised Somatic Norm and the Senior Civil Service
| Unique citing works | 13 |
|---|---|
| Citations per year | 4.33 |
| Citation span | 2023 - 2026 (4) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 13 |