Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Art, folklore, and industry

Popular arts and indigenismo in Mexico, 1920–1946

Bibliographic Data

ID18977417
AuthorsHaydeé López Hernández (0000-0002-3499-6016, National Institute of Anthropology and History, corresponding author)
Year2022
Volume17
Issue4
Pages495-518
Publication date2022-10-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueLatin American and Caribbean Ethnic Studies (JOURNAL)
Journal identifiersISSN: 1744-2222 • E-ISSN: 1744-2230
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17442222.2022.2064099
OpenAlexW4280563709
LanguageEN
Citations received2
References cited12

The construction of popular arts in Mexico is a process that is generally attributed to the proposals of the plastic artists of the post-revolutionary period. Here, I explore some of these (Exposición Nacional de Artes Populares, 1921; y Museo de Artes Populares, 1930–1942), along with others not yet analyzed by historiography, mainly developed by anthropologists (at the Museo Nacional, 1920–1924; in the Misión Universitaria del Instituto de Investigaciones Estéticas de la Universidad Nacional, 1936–1937; and in the Departamento de Asuntos Indígenas, 1936–1946). The goal is to show their affinities (a purist and primitivist notion) but, above all, to highlight their differences regarding the aesthetic (art), cultural (folklore), and identity (Mexican, indigenous, national) valuation of the objects (industry/crafts), as well as the need for its conservation vs. transformation. I argue that, far from being a linear and homogeneous history derived exclusively from post-revolutionary plastic arts, it is a heterogeneous process that was not consolidated into a single centralized and institutionalized project until the middle of the century, within the framework of the modernization of the Mexican State and the inter-American indigenism

Art · Art history · Ethnology · Folklore · Historiography · Humanities · Indigenous · Latin Americans · Modernization theory · Political science · Sociology · The arts · Visual arts · Anthropology · History · Indigenous Cultures and History · Latin American history and culture · Law · Politics and Society in Latin America

  • Artists, folklorists, and cultural institutions in Ecuador (1944–1964)

    María Elena Bedoya Hidalgo•Latin American and Caribbean…•2023

  • Sustainable strategic nation branding through sports

    Open Access•Laila El-Dabt, Faisal AlReshaid et al.•Frontiers in Sociology•2025

  • Race and Ethnicity in Latin America

    Open Access•P Wade•Race and Ethnicity in Latin…•2010

  • Crafting Mexico

    Rick A López•Crafting Mexico•2010

  • Creating Pátzcuaro, Creating Mexico

    Open Access•Jennifer Jolly, Jennifer L Jolly•Creating Pátzcuaro, Creating Mexico•2018

  • De la « race indigène » à l’essentialisme pratique

    Juan Martín-Sánchez, Laura Giraudo et al.•Critique internationale•2020

  • Las Industrias Otomíes del Valle del Mezquital

    Open Access•Francisco Rojas Gonzalez•Revista Mexicana de Sociología•1939

  • Race and Nation in Modern Latin America

    Magnus Mörner•Hispanic American Historical Review•2004

  • Indian and Nation in Revolutionary Mexico

    Open Access•Brian D Haley•American Anthropologist•2005

  • Race and the Culture of Anthropology

    Open Access•Kamala Visweswaran•American Anthropologist•1998

  • Reestablishing "Race" in Anthropological Discourse

    Open Access•Carol C Mukhopadhyay, Yolanda T Moses•American Anthropologist•1997

  • It's Not Race, It's Culture

    Emiko Saldívar•Latin American and Caribbean…•2014

Unique citing works2
Citations per year0,67
Citation span2023 - 2025 (3)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

Tools

Open DOI
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae