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Famously Anonymous Artistic Outlaws

The Negotiation of Dual Identities Among Former Graffiti Writers

Bibliographic Data

ID18977482
AuthorsAneliese Dar, Aneliese K Dar (University of North Carolina at Greensboro), Gwen Hunnicutt (0000-0001-6786-6974, University of North Carolina at Greensboro, corresponding author)
Year2017
Volume17
Issue4
Pages207-223
Publication date2017-10-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueIdentity (JOURNAL)
Journal identifiersISSN: 1528-3488 • E-ISSN: 1532-706X
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/15283488.2017.1379903
OpenAlexW2765702997
LanguageEN
Citations received1
References cited32

Graffiti artists must establish a second, anonymous identity that is managed alongside each writer’s “real” self. This study explores the negotiation of these dual identities—one actual, the other virtual—by investigating the management of these identities through retirement. Results reveal that identity making is a collective practice, even for anonymous artists. Participants described a hierarchical graffiti world where invisible social relations are used to establish understanding of the self as a writer. Stealth graffiti artists breach one set of rules but strictly adhere to another set. Even anonymous identities are socially embedded and reflect a politics of belonging. Writer identities can be retired by either integrating them into a public self or transcended through complete role exit

Aesthetics · Art · Collective identity · Graffiti · Identity negotiation · Literature · Media studies · Negotiation · Political science · Politics · Social group · Social identity theory · Social science · Sociology · Visual arts · Computer Science · Law · Psychology · Public Spaces through Art · Social Psychology · Urban and sociocultural dynamics

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Unique citing works1
Citations per year0,17
Citation span2020 - 2020 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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