Routledge Handbook of Graffiti and Street Art
Bibliographic Data
| ID | 23398282 |
|---|---|
| Authors | Jeffrey Ian Ro (0000-0001-8102-014X, corresponding author), Jeff /21 Jh Ferrell |
| Editors | Jeffrey Ian Ross |
| Year | 2016 |
| Publication date | 2016-03-02 |
| Open Access | No |
| Type | BOOK |
| Venue | Routledge Handbook of Graffiti and Street Art (SOURCE_BOOK) |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.4324/9781315761664 |
| OpenAlex | W838895012 |
| Open Library | OL38292393M |
| ISBN | 9781315761664 |
| Language | EN |
| Citations received | 134 |
Graffiti and Street Art have received varying research treatment from artist, subcultural,ethnographic and crimogenic perspectives which are reflected in the literature on individual graffiti and street artists, gangs and genres, with a growth in art monographs and coffee table style pictorials. The productionist dialectic between graffiti as vandalism and as ‘art’ (including in galleries) has not considered the wider aspects of the role and place of graffiti and street art in the city; responses from city authorities, local communities, visitors and property owners; and how different places and city cultures receive and react in different ways, including graffiti and street art now used in placemaking, branding and destination strategies. This includes the growth of graffiti and street art commissioning agencies and organisations, often established by former graffiti and street artists employed by clients (e.g. retail, advertising firms, local authorities) and legitimised spaces and walls for safe experimentation. The cultural content of graffiti and street art also reflects local conditions and contexts, whether protest/political, territorial, vernacular (e.g. local events, history) or playful in nature.
Art · Art history · Graffiti · Visual arts · Public Spaces through Art · Art dans la rue · General · Graffiti art · Street art · Techniques
Anthropology and the City. Street Art in Medellín’s Comuna 13
The Ship Graffiti from Late Bronze Age–Early Iron Age Kition, Cyprus
Graffiti
Resilience and reinvention
Grafiti y arte urbano
Contemporary Graffiti as a Tool for Studying Prehistoric Art
Where is the new constitution?’ Activist art and the politics of space in Iceland
A semiotics of nonexistence
Urbanity, precarity, and infrastructural violence in Mumbai
Interwoven Dynamics of Israel and El Salvador as Nodes in a Global Carceral Archipelago Dominated by US Imperialism
A politics of conviction
Names shredded apart
Worlding through gendering
Urban Art in Lisbon
From the Train Yard to the Auction House
Aesthetic practices of psychogeography and photography
Gangs, gang members, and geography
Widening the margins of political participation
Covid-19 graffiti
Playing in the yard
Public Strategies for the Promotion of Urban Art
A poesia está na rua
The Knitted Fabric of Finland
The urban aesthetics of graffiti murals
Differentiating graffiti in Macao
Urban Art touristification
Democracy on the walls
Proof of Life
Access now, but for whom and at what cost
Loud’ and ‘quiet’ politics
An emerging art world
Transients, punks and hobos
Against the wall
Aesthetics of zero tolerance
The politics of restor(y)ing
St. Petersburg as a Place of Belonging
Public Art Replacement on the Mapocho River
Broken Windows Ideology and the (Mis)Reading of Graffiti
Seeking Poetic Justice
Under the bridge
Art in the Egyptian Revolution
Protecting Street Art Rights Using an NFT-Based System
Photovoice as a Research Technique for Student Learning and Empowerment
The battle for 5Pointz and signifying regimes
Street art as “street fetish”- a new signifier of social class? The case of Brazil’s “Beverley Hills”
Street art/art in the street – semiotics, politics, economy
Taming murals in the city
Street art as a sustainable tool in mature tourist destinations
Feminism from the margins
From the Street to the Courtroom
Public-making in a pandemic
Writing on the wall
Fengshui your graffiti
Locating vernacular creativity outside the ‘urban cool’ in Beijing
Negotiating spatial politics
Place-Based Elicitation
Gang Graffiti, Group Process, and Gang Violence
Coping and Connecting through Creativity in the Neighborhood Realm during Covid-19
Challenges in the creation of murals
Maritimity in Stone
Reconsidering neighbourhood communality through the lens of intersectionality
Informality from above in the governance of graffiti and street art in Sydney
Guess I’m Next to be Erased
Art in chrono-urbanism
Watch and do what I do’
Knitting Feminist Politics
Consuming dark sites via street art
Participatory art for navigating political capabilities and aspirations among rural youth in Zimbabwe
Graffiti and crime in Belo Horizonte, Brazil
Multilingual, multicultural and multi-religious diversity
Barraqueiras e heroínas
Speculating on (the) urban (of) art
The king of martyrs
Fame and recognition in historic and contemporary graffiti
Re-learning culture in cities beyond the West
Selling streetness as experience
Creative Expression in Egypt Ten Years After
Graffiti Writers Choose Locations That Optimize Exposure
Photography, composition, and the ephemeral city
From Wall 1.0 to Wall 2.0
Closure's Temporality
La pared narrada
Vandalizing the Commons
De l’art pour changer la rue ? Étude du rôle de la norme de gentrification dans la construction de projets de street art à Bruxelles et Marseille
“I see wonderful things!” Socio-cognitive experience of Cypriot graffiti in ancient Egypt
Functional Potential of Multilingual Text in Urban Space
What Does Street Art in Florence, Depicting Women, Aim to Convey to Its Residents and Tourists
Planning, Art, and Aesthetics
From social distancing to creative social engagement
A Survey about the Effects of the Commissioned Street Art on Physical and Social Spaces
Types and Effectiveness of Public Policy Measures Combatting Graffiti Vandalism at Heritage Sites
Ghostly murals
Street Art in Aveiro
Graffiti and Street Art between Ephemerality and Making Visible the Culture and Heritage in Cities
Graffiti, Aging and Subcultural Memory—A Struggle for Recognition through Podcast Narratives
What does Caravaggio have to do with “muzz” influx into Europe? Controversial street murals in Brussels and the question of political street art
Graffiti as Method
Performing gendered distinctions
Subverting superhero and meiga imaginaries in street art narrative Fenómenas do rural
Graffiti takes its own space’
| Unique citing works | 134 |
|---|---|
| Citations per year | 12,18 |
| Citation span | 2015 - 2026 (12) |
| Citation velocity | current |
| Highly cited | Yes |
| Citation types | Neutral: 52 |