Creative Expression in Egypt Ten Years After
Bibliographic Data
| ID | 8968115 |
|---|---|
| Authors | Darci Sprengel (0000-0001-8115-8456, University of Oxford, corresponding author) |
| Year | 2020 |
| Volume | 52 |
| Issue | 3 |
| Pages | 489-492 |
| Publication date | 2020-08-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Journal Middle East Studies (JOURNAL) |
| Journal identifiers | ISSN: 0020-7438 • E-ISSN: 1471-6380 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s002074382000077x |
| OpenAlex | W3083861288 |
| Language | EN |
| Citations received | 1 |
| References cited | 20 |
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Ancient history · Expression (computer science · Programming language · Architecture and Cultural Influences · Computer Science · Global Maritime and Colonial Histories · History · Islamic Studies and History
The Intellectual and the People in Egyptian Literature and Culture
Routledge Handbook of Graffiti and Street Art
Translating Egypt's Revolution
Martyrs and Tricksters
Rap Beyond Resistance
Neoliberal Expansion and Aesthetic Innovation
The Gravel on Our Beds
Living through Thick Concepts in Revolutionary Egypt
I Am Serious
A Talk That Never Really Happened in Time
Our Voices Persist
How Do You Write about the Cultural Scene When You're Inside it
Between Dependent and Independent
Al-Fann Midan (2 April 2011–9 August 2014), or The Last Graffiti on the Wall of the Revolution
Observations on the Egyptian Independent Music Scene and Political Dynamics in a Post-Revolutionary Context
Whose liberation? Iranian popular music and the fetishization of resistance
To Stand by the Ruins of a Revolutionary City
Shattered worlds
| Unique citing works | 1 |
|---|---|
| Citations per year | 1 |
| Citation span | 2025 - 2025 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |