Out of this world
The lunar imaginaries of cinéma-monde
Bibliographic Data
| ID | 19002950 |
|---|---|
| Authors | Julie-Françoise Tolliver (0000-0003-3359-3220, University of Houston, corresponding author) |
| Year | 2022 |
| Volume | 47 |
| Issue | 1 |
| Pages | 89-107 |
| Publication date | 2022-03-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary French Civilization (JOURNAL) |
| Journal identifiers | ISSN: 0147-9156 • E-ISSN: 2044-396X |
| Publisher | Liverpool University Press (PUBLISHER • GB) |
| DOI | 10.3828/cfc.2022.5 |
| OpenAlex | W4224288099 |
| Language | EN |
| Citations received | 1 |
| References cited | 15 |
This article investigates the ways in which cinéma-monde imagines itself “universally” by examining how it portrays its relation to the cosmos, the universe beyond the Earth’s atmosphere. Analyzing Yamina Bachir-Chouikh’s 2002 Rachida, Jean-Pierre Bekolo’s 2005 Les saignantes, and Jean-Marc Vallée’s 2005 C.R.A.Z.Y., this article asks how a consideration of cinéma-monde’s perspective on outer space might allow us to conceive of the “kaleidoscope of Cinéma-monde” (Gott and Schilt) as a planetary phenomenon. The article also explores how imaginations of outer space reconfigure cinéma-monde’s margins in terms of gender and sexuality
Art · Astrobiology · Physics · African history and culture studies · Diverse multidisciplinary academic research · Media, Communication, and Education
Space in the TropicsFrom Convicts to Rockets in French Guiana
The Half-Life of Empire in Outer Space
Cinéma-monde
A fifty-two-year love affair
Blood in the snow
Introduction
Global France, Global French
Siting images, citing worlds
Reworlding Tunisia
"African cinema and its "ancestor
Jean-Pierre, c'est moi
An Aesthetic Education in the Era of Globalization
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,25 |
| Citation span | 2022 - 2022 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |