The otaku phenomenon
Pop culture, fandom, and religiosity in contemporary Japan
Bibliographic Data
| ID | 19150899 |
|---|---|
| Authors | Kendra Sheehan (University of Louisville Hospital, corresponding author) |
| Year | 2017 |
| Publication date | 2017-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | THESIS |
| Publisher | University of Louisville (PUBLISHER) |
| DOI | 10.18297/etd/2850 |
| OpenAlex | W2788460540 |
| Language | EN |
| Citations received | 2 |
| References cited | 26 |
The focus of this dissertation centers on the otaku subculture and their subsequent incorporation of Japanese religious elements into their consumption of Japanese popular culture. This phenomenon highlights the intersections of popular culture and religion in Japan, which is emerging in religious sites. Shintō shrines and Buddhist temples are incorporating popular culture as a means to maintain relevancy, encourage growth of parishioners, and raising revenue by capitalizing on the popularity of manga and anime. The relevance of this research connects to the continued impact of Japanese popular culture through globalization. The first chapter provides a theoretical background examining this socio-religious phenomenon, and sociological framework, which considers the capitalist economy and relationship to religion. Chapter Two defines Shintō and kami, explains deification, outlines an historical overview for religion in Japan, providing historical antecedents for the otaku’s relationship to religion, and highlighting historical and cultural influences. Chapter Three analyzes the historical and cultural contexts that form the otaku identity, traces the etymology of the word “otaku,” and positions the otaku within mainstream society. This analysis of otaku identity and mindset provides insight into the otaku’s consumptive behaviors associated with popular culture. Chapter Four analyzes otaku consumptive practices and behaviors, and the impact on several Shintō shrines and Buddhist temples. Chapter Four concludes with the emergence of “pop culture kami” that accentuate the otaku’s incorporation of Shintō elements into their consumption of popular culture. This convergence of otaku, religion, and popular culture points to emerging shifts within contemporary Japan
Aesthetics · Anime · Art · Fandom · Mainstream · Media studies · Phenomenon · Political science · Popular culture · Popularity · Social science · Sociology · Chinese history and philosophy · Japanese History and Culture · Law · Religious Studies and Spiritual Practices
Manga! Manga!
Introduction
Adult Manga
Beautiful Fighting Girl
The Soul of Anime
Secularization, Deprivatization, and the Reappearance of ‘Public Religion’ in Japanese Society
Kogyaru and Otaku
Pop Religion in Japan
Slashing the Romance Narrative
Religion and Commodification
Japanese Religion
Sumptuary Regulation and Status in Early Tokugawa Japan
The Fox and the Jewel
Religion in the Japanese Experience
Shinohata, a Portrait of a Japanese Village
Religion in Japanese History
Japan's Gross National Cool
The Soul of Anime
The social construction of reality
Before anime
The common sense that makes the ‘otaku
The Elementary Forms of Religious Life
Rethinking Animism
Max Weber and the spirit of resentment
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2022 - 2024 (3) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |