"Noble and Uplifting and Boring as Hell"
Asian American Film and Video, 1971–1982
Bibliographic Data
| ID | 19154342 |
|---|---|
| Authors | Jun Okada (0000-0002-9895-0762, corresponding author) |
| Year | 2009 |
| Volume | 49 |
| Issue | 1 |
| Pages | 20-40 |
| Publication date | 2009-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Cinema Journal (JOURNAL) |
| Journal identifiers | ISSN: 0009-7101 • E-ISSN: 1527-2087 |
| Publisher | University of Texas Press (PUBLISHER • US) |
| DOI | 10.1353/cj.0.0156 |
| OpenAlex | W2063154994 |
| Language | EN |
| Citations received | 4 |
| References cited | 4 |
Asian American film and video evolved out of the civil rights and ethnic studies movements, sharing with them a fundamental ideology of social change. However, a closer examination of its institutional history shows how this tradition conflicted with an equally important and at times contradictory discourse of aesthetics and form
Aesthetics · Art · Asian americans · Civil rights · Ethnic group · Ideology · Political science · Politics · Sociology · Anthropology · Asian Culture and Media Studies · Cinema and Media Studies · Gender Studies · Hong Kong and Taiwan Politics · Law
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,29 |
| Citation span | 2012 - 2020 (9) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |