Being Chinese American, Becoming Asian American
Chan Is Missing
Bibliographic Data
| ID | 8905359 |
|---|---|
| Authors | Peter Feng, Peter X Feng (0009-0007-4066-4548, corresponding author) |
| Year | 1996 |
| Volume | 35 |
| Issue | 4 |
| Pages | 88-88 |
| Publication date | 1996-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Cinema Journal (JOURNAL) |
| Journal identifiers | ISSN: 0009-7101 • E-ISSN: 1527-2087 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1225719 |
| OpenAlex | W2324529924 |
| Language | EN |
| Citations received | 4 |
| References cited | 1 |
It was almost ten years ago. A small group of us perched on the rickety chairs at the old Collective for Living Cinema loft in Manhattan got a first glimpse at a low-budget, black-and-white feature by then experimental filmmaker, Wayne Wang. The appeal of Chan Is Missing (1981) went beyond its social relevance or the familiarity of the characters and themes. There was something original about the film, and something very Asian American
Art · Humanities · Asian Culture and Media Studies · Hong Kong and Taiwan Politics
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,14 |
| Citation span | 1997 - 2024 (28) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 4 |