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Pinocchio in Emojitaliano . Przekład eksperymentalny w kulturze zwrotu wizualnego i performatywnego

Bibliographic Data

ID19182790
AuthorsKatarzyna Majdzik (0000-0002-0532-4587, University of Silesia in Katowice, corresponding author)
Year2018
Volume9
Issue1
Publication date2018-12-17
Open AccessYes
TypeARTICLE
VenuePrzekłady Literatur Słowiańskich (University of Silesia Press) (JOURNAL)
Journal identifiersISSN: 1899-9417 • E-ISSN: 2353-9763
PublisherUniversity of Silesia in Katowice (PUBLISHER • PL)
DOI10.31261/pls.2018.09.01.07
OpenAlexW2973230206
LanguageEN
Citations received2
References cited3

Pinocchio in Emojitaliano. The Experimental Translation in the Culture of Visual and Performative TurnThe article discusses the experimental translation of the classic of children’s literature — Pinocchio (La storia di un burattino) by Carlo Collodi — from Italian into an artificially created language of the emoji signs. The translation was dicussed in the context of other translations of literature into emoji sings and experimental translation in general. This originally new-media translation illustrates the cultural transformations of modernity and can be understood as an expression of the iconic (visual) and performative turn in the humanities.KEY WORDS: Pinocchio, Carlo Collodi, experimental translation, intersemiotic translation, iconic turn, performative turn

Aesthetics · Art · Epistemology · Linguistics · Literature · Modernity · Performative utterance · Semiotics · Computer Science · Digital Communication and Language · History · Language and Culture · Linguistic Studies and Language Acquisition · Philosophy

  • Experimental Translation

    Open Access•Tamara Brzostowska‐Tereszkiewicz, Katarzyna Bazarnik•Przekładaniec•2023

  • Przekład eksperymentalny

    Open Access•Tamara Brzostowska‐Tereszkiewicz, Katarzyna Bazarnik•Przekładaniec•2021

  • Cyfrowa semiopoetyka

    Open Access•Ewa Szczęsna•Cyfrowa semiopoetyka•2018

Citations per year0.4
Citation span2021 - 2023 (3)
Highly citedNo

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Open DOIOpen Access
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