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Folk Song and the Voice

Toward an Ethnography of Singing

Bibliographic Data

ID19214935
AuthorsOlivia H Phillips (PDK International, corresponding author)
Year2026
Volume139
Issue552
Pages131-152
Publication date2026-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of American Folklore (JOURNAL)
Journal identifiersISSN: 0021-8715 • E-ISSN: 1535-1882
PublisherUniversity of Illinois Press (PUBLISHER • US)
DOI10.5406/15351882.139.552.01
OpenAlexW7161282810
LanguageEN
References cited22

Drawing from ethnomusicological voice studies and African American music scholarship, this essay advocates for attention to singing technique as a space of social meaning-making and enculturation in folk song performance. I analyze two contrasting recordings of white Appalachian traditional musician Frank Proffitt (1913–1965) that highlight underacknowledged influences from the African American blues tradition in Proffitt's vocalization. Finally, I propose that attending to the singing voice in folklore studies necessitates an ethnography of singing, modeled after the folkloristic ethnography of speaking

Blues · Enculturation · Ethnography · Ethnomusicology · Folk music · Folk song · Folklore · Singing · Space (punctuation) · Diverse Music Education Insights · Music History and Culture · Musicology and Musical Analysis

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