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Flaming

The Peculiar Theopolitics of Fire and Desire in Black Male Gospel Performance

Bibliographic Data

ID20031885
AuthorsAlisha Lola Jones (0000-0003-3600-3644, Assistant Professor of Ethnomusicology, Indiana University, corresponding author)
Year2020
Pages304
Publication date2020-06-09
Open AccessNo
TypeBOOK
VenueFlaming? (SOURCE_BOOK)
PublisherOxford University PressNew York (PUBLISHER)
DOI10.1093/oso/9780190065416.001.0001
OpenAlexW3035969693
Open LibraryOL28068130M
ISBN9780190065416
LanguageEN
Citations received16
References cited11

Prompted by the popular term "flaming" that is used to identify over-the-top or peculiar performance of identity, Flaming? argues that male African American gospel singers wield and interweave a variety of multivalent aural-visual cues, including vocal style, gesture, attire, and homiletics, to position themselves along a spectrum of gender identities. These multisensory enactments empower artists (i.e., "peculiar people") to demonstrate modes of "competence" that affirm their fitness to minister through speech and song. Through a progression of transcongregational case studies, Flaming? observes the ways in which African American men traverse tightly knit social networks to negotiate their identities through and beyond the worship experience

Aesthetics · Art · Black male · Gospel · Literature · Sociology · Gender Studies · History · Race, History, and American Society · African American male singers · African americans · Chanteurs masculins noirs américains · Gospel music · History and criticism · Men, sexual behavior · Music · Music, history and criticism · Noirs américains · Rôle selon le sexe dans la musique · Sex role · Sex role in music · Sexual behavior · Sexualité · Singers · united states

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Unique citing works16
Citations per year3,2
Citation span2021 - 2026 (6)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 15

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