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Reimaging wayang in the digital age; The Sintren project and cultural commoning

Bibliographic Data

ID19224203
AuthorsMaya Purnama Sari (Bandung Institute of Technology), Nuning Yanti Damayanti (0000-0002-3951-8152, Bandung Institute of Technology), Irfansyah Irfansyah (Bandung Institute of Technology), Hafiz Aziz Ahmad (0009-0003-4187-8303, Bandung Institute of Technology)
Year2026
Volume27
Issue1
Publication date2026-04-30
Open AccessYes
TypeARTICLE
VenueWacana Journal of the Humanities of Indonesia (JOURNAL)
Journal identifiersISSN: 1411-2272 • E-ISSN: 2407-6899
PublisherWacana Journal of the Humanities of Indonesia (PUBLISHER)
DOI10.17510/wacana.v27i1.2265
OpenAlexW7164487983
LanguageEN

Wayang, as a traditional performing art in Indonesia, continues to develop through various forms of experimentation. One example is the Wayang Lostang YouTube channel, developed by Samuel Indratma through the animation project Sintren, save the planet in collaboration with students from SMK Komputama Majenang. Distribution through YouTube indicates that the transformation of wayang is not merely visual but is also a collective cultural practice grounded in social relations, reflecting cultural commoning in the Indonesian context. This study aims to understand how these practices operate through production, social relations, and the formation of cultural meaning in digital circulation. The research employs a qualitative approach using hybrid ethnography, involving online and offline observation, in-depth interviews with Samuel Indratma, and documentation. Findings show collective production, participatory relations in digital networks, and multiple, continuously negotiated cultural meanings. These practices extend beyond production to representation and cultural meaning-making, demonstrating that communal values persist

Interrogation · Politics · Temporality · Crafts, Textile, and Design · Diverse Musicological Studies · Multilingual Education and Policy

Highly citedNo

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