Nicolas Ballet, Shock Factory
The Visual Culture of Industrial Music, trans. Paul Hales
Bibliographic Data
| ID | 19480133 |
|---|---|
| Authors | Alexander Reed (0000-0003-0557-4225, Ithaca College, corresponding author), S Alexander Reed (corresponding author) |
| Year | 2026 |
| Publication date | 2026-03-19 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Popular Music History (JOURNAL) |
| Journal identifiers | ISSN: 1740-7133 • E-ISSN: 1743-1646 |
| Publisher | Equinox Publishing (PUBLISHER • GB) |
| DOI | 10.1558/pomh.34373 |
| OpenAlex | W7138903927 |
| Language | EN |
Nicolas Ballet, Shock Factory: The Visual Culture of Industrial Music, trans. Paul Hales. Bristol: Intellect, 2025. 588 pp. ISBN 9781835950784 (pbk).This review takes up Nicolas Ballet's 2025 book Shock Factory: The Visual Culture of Industrial Music. Ballet reconstructs the visual and conceptual world of industrial music from the 1970s to 1995, arguing that its imagery was central to the genre’s avant-garde logic. Ballet traces industrial art’s genealogies in Futurism, Dada, and Situationism while cataloguing its strategies of shock, catharsis, and technological detachment. Emphasizing primary archives and artist intent, he offers an encyclopedic account of industrial visuality, though questions of audience reception, political consequence, and marginal participants remain unresolved to a degree
Ballet · Painting · Politics · Visual culture · Diversity and Impact of Dance · Music History and Culture · Musicology and Musical Analysis
| Highly cited | No |
|---|