In protest of apathy. The case of Panjim, Goa

Bibliographic Data

ID19486102
AuthorsNamita Kambli (corresponding author)
Year2017
Volume2
Issue4
Pages107
Publication date2017-12-31
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Journal of Public Space (JOURNAL)
Journal identifiersISSN: 2206-9658 • E-ISSN: 2206-9658
PublisherCity Space Architecture (PUBLISHER • IT)
DOI10.5204/jps.v2i4.145
OpenAlexW2789512882
LanguageEN
Citations received2
References cited1

Whenever I mention that I grew up in Goa, those who have heard of it react with wonder and curiosity, both of which are almost always laced with a twinge of envy. India’s smallest state is synonymous with beaches, hippies, trance music, vindalhoo, and, to my enormous displeasure, drugs. To me, however, Goa signifies lush paddy fields in a shade of green I still cannot define, coconut palms framing soothing sunsets, and whitewashed churches in perfect harmony alongside colourful temples. As a child, I of course took these landscapes for granted. As a fresh-faced architecture graduate, I came to better appreciate the state’s well-kept public gardens, pastel-coloured facades and bustling marketplaces. As an expat who has now been away for more than a decade, my heart breaks a little for the Goa that awaits me each time I return, with streets choked by rule-flouting cars, off-shore casinos that are killing the capital’s main river, and my favourite beach littered with plastic and beer bottles. This viewpoint is both a form of protest against the growing apathy evident in my hometown and also a plea to better cherish our public spaces

Art · Art history · Media studies · Political science · Sociology · Wonder · History · Law · Psychology · South Asian Cinema and Culture · South Asian Studies and Diaspora

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