Digital Rovaniemi
Contemporary and future arctic tourist experiences
Bibliographic Data
| ID | 19554334 |
|---|---|
| Authors | Alix Varnajot (0000-0002-5463-3933, University of Oulu, corresponding author) |
| Year | 2020 |
| Volume | 6 |
| Issue | 1 |
| Pages | 6-23 |
| Publication date | 2020-03-26 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Tourism Futures (JOURNAL) |
| Journal identifiers | ISSN: 2055-5911 • E-ISSN: 2055-592X |
| Publisher | Emerald (PUBLISHER) |
| DOI | 10.1108/jtf-01-2019-0009 |
| OpenAlex | W2991055529 |
| Language | EN |
| Citations received | 8 |
| References cited | 92 |
Purpose The purpose of this paper is to investigate tourists’ representations of the Arctic through the lens of the photo-sharing social network Instagram. The study focuses on the particular tourist experience of crossing the Arctic Circle in Rovaniemi, Finland, as in tourism, it represents the “official” entry to the Arctic. The study also aims at drawing assumptions about the future experiences of crossing the Arctic Circle, with the development of new technologies such as augmented and virtual realities. Design/methodology/approach Data were gathered with netnography methodologies on the Instagram social network. The first stage was the observational part and consisted of “lurking” at specific hashtags and locations, both referring to the Arctic Circle in Rovaniemi. Data were gathered in December 2018 and consisted of images and descriptions of Instagram posts published by users between June 1, 2018 and December 31, 2018, so data collection encompassed both summer and winter seasons. The second stage was the analysis part and involved interpretive understanding, and especially phenomenological sociology. Findings Results show that three dominant representations of the Arctic emerge when tourists cross the Arctic Circle. The region is either seen as a frozen fairytale wonderland due to the close proximity of the Christmas industry, as a far and northern destination participating in the realization of the self, and as a territory where summer weather conditions are not necessarily synonymous with the Arctic. In addition, the study acknowledges the future challenges of conceptualizing “Arctic tourism” due to the development of virtual reality technologies that could provide immersive Arctic experiences outside the region. Originality/value The paper investigates connections between social media studies and tourist experiences in the Arctic context. It also questions the future of Arctic tourist experiences with the development of new technologies enhancing experiences and, thus, potentially threatening the exceptionalism of the Arctic and what makes the region a unique tourism destination
Archaeology · Arctic · Geography · Netnography · Social media · Sociology · The arctic · Tourism · World Wide Web · Arctic and Russian Policy Studies · Computer Science · Diverse Aspects of Tourism Research · Polar Research and Ecology · Geology · Oceanography
A dream vacation typology
Visitor flows to World Heritage Sites in the era of Instagram
Mining for tourists in China
A pentadic analysis of TikTok marketing in tourism
Toward Antarctification? Tourism and place-making in Antarctica
Transforming local Arctic tourism businesses in times of multiple crises
The making of the Tour de France cycling race as a tourist attraction
Phygital Arctic – rethinking Arctic tourism through digitalization
A hedonic motivation model in virtual reality tourism
When Attention‐Getting Advertising Tactics Elicit Consumer Inferences of Manipulative Intent
What do we know about social media in tourism? A review
Social Media in Tourism and Hospitality
The Role of Augmented Reality for Experience-Influenced Environments
Sharing Tourism Experiences
What We Instagram
Social media? Get serious! Understanding the functional building blocks of social media
Antarctic cruise tourism
Effects of Virtual Reality and Augmented Reality on Visitor Experiences in Museum
Brand New Images? Implications of Instagram Photography for Place Branding
Digital Images, Photo-Sharing, and Our Shifting Notions of Everyday Aesthetics
Tourism and Change in Polar Regions
Travel Blogs and the Implications for Destination Marketing
The Role of Smartphones in Mediating the Touristic Experience
Instagram
Influence of personality on travel-related consumer-generated media creation
The Tourist Gaze 3.0
Making wilderness
Picturing the Arctic
The diversity of polar tourism. Some challenges facing the industry in Rovaniemi, Finland
Arctic tourism
The Arctic in tourism
Is adventure tourism a coherent concept? A review of research approaches on adventure tourism
Current Tourism Patterns in the Swedish Mountain Region
A Life More Photographic
The Family Gaze
Walk the line”
Social Media as a New Play in a Marketing Channel Strategy
Role of social media in online travel information search
Photographs in tourism research
Tourism and online photography
Virtual reality presence as a preamble of tourism experience
The determinants of recommendations to use augmented reality technologies
Selfie-taking as touristic looking
Ideal image in process
Postmodern tourism
What’s on your Bucket List?’
Dimensions of photography in a nature-based tour
Netnography in tourism – Beyond Web 2.0
If I was going to die I should at least be having fun”
Comprehensive and minimalist dimensions of ecotourism
Arctic Societies, Cultures, and Peoples in a Changing Cryosphere
Contested Sovereignty in a Changing Arctic
Families Seen Sightseeing
Material Cultures of Tourism
Exploring Consumer Behavior in Virtual Reality Tourism Using an Extended Stimulus-Organism-Response Model
Practices and Flows of Digital Photography
The tourist experience
Social Network Sites
Performing tourism, staging tourism
The self and the other
Last-chance tourism
Transformation of self in tourism
Rethinking authenticity in tourism experience
"The Tourist Gaze "Revisited
Digital Exhibitionism
A Phenomenology of Tourist Experiences
| Unique citing works | 8 |
|---|---|
| Citations per year | 1,33 |
| Citation span | 2020 - 2026 (7) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 8 |