‘Under Western Eyes’
A short analysis of the reception of Aboriginal art in France through the press
Bibliographic Data
| ID | 19558584 |
|---|---|
| Authors | Philippe Peltier (Musée du Quai Branly – Jacques Chirac, corresponding author) |
| Year | 2014 |
| Volume | 4 |
| Publication date | 2014-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Les actes de colloques du musée du quai Branly (JOURNAL) |
| Journal identifiers | ISSN: 2105-2735 • E-ISSN: 2105-2735 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/actesbranly.581 |
| OpenAlex | W45070830 |
| Language | EN |
| Citations received | 1 |
Good afternoon, I know you are all very tired and are over swept by the communications, so I am going to try to be brief. I am not going to read my paper because when I read a paper in English usually people don’t understand what I’ve said, so I am going to talk more freely. My starting point will be a sentence which is quite known among the art historians : “ce sont les regardeurs qui font les tableaux”, it’s the people who look at the picture that do the picture. It’s a Marcel Duchamp sente
Art · Cultural Identity and Heritage · Cultural Insights and Digital Impacts · History
| Citations per year | 0.25 |
|---|---|
| Citation span | 2022 - 2022 (1) |
| Highly cited | No |