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Los Cantores Africanos. Llegada y recepción del blackface minstrelsy en la segunda mitad del siglo XIX en Chile (1860)

Bibliographic Data

ID19686474
AuthorsDaniel Domingo Gómez (0000-0002-0519-6108, Universidad de Santiago de Chile, corresponding author)
Year2021
Volume75
Issue235
Pages152-176
Publication date2021-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRevista musical chilena (JOURNAL)
Journal identifiersISSN: 0716-2790 • E-ISSN: 0717-6252
PublisherSciELO Agencia Nacional de Investigacion y Desarrollo (ANID) (PUBLISHER)
DOI10.4067/s0716-27902021000100152
OpenAlexW3188326464
SCIELO_PIDS0716-27902021000100152
LanguageES
References cited8

Minstrelsy in the second half of the 19th century in Chile (1860)

Art · Art history · Blackface · Humanities · Cultural and Social Studies in Latin America

  • Valparaíso

    Open Access•Alfredo Sánchez M, Joaquín Bosque M et al.•Estudios Geográficos•2009

  • Spirituals and the Birth of a Black Entertainment Industry

    Open Access•Sandra Jean Graham•Spirituals and the birth of a…•2018

  • Love and Theft

    Eric Lott•Love and Theft•1995

  • Behind the Burnt Cork Mask

    Emily Blanck, William J Mahar•Journal of the Early Republic•2000

  • Marginalidad y vanguardia en la posguerra

    Open Access•Carlos Donoso Rojas•Anuario de Estudios Americanos•2017

  • From Folktype to Stereotype

    Robert C Toll•Journal of the Folklore Institute•1971

  • Música y negritud en Chile

    Víctor Rondón•Latin American Music Review•2014

Citation velocityhistorical
Highly citedNo

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Open DOIOpen Access
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