Behind the Burnt Cork Mask
Early Blackface Minstrelsy and Antebellum American Popular Culture
Bibliographic Data
| ID | 11675942 |
|---|---|
| Authors | Emily Blanck (0000-0003-2681-1824, corresponding author), William J Mahar |
| Year | 2000 |
| Volume | 20 |
| Issue | 2 |
| Pages | 320-320 |
| Publication date | 2000-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of the Early Republic (JOURNAL) |
| Journal identifiers | ISSN: 0275-1275 • E-ISSN: 1553-0620 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3124712 |
| OpenAlex | W4289259334 |
| Language | EN |
| Citations received | 16 |
Art · Art history · Biology · Blackface · Botany · Cork · Political science · Cultural History and Identity Formation · Historical Gender and Feminism Studies · Historical Studies on Reproduction, Gender, Health, and Societal Changes · History
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Turkish German Muslims and Comedy Entertainment
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Los Cantores Africanos. Llegada y recepción del blackface minstrelsy en la segunda mitad del siglo XIX en Chile (1860)
E o Vento Levou
We have fed you all 1000 years
Rewriting the Genealogy of Minstrelsy for Modernity
Learning How to Make Life Swing
Cultivating Our “Musical Bumps” while Fighting the “Progress of Popery”
Early American Music and the Construction of Race
Ingratitude! Treachery! Revenge!’
Rural as Racialized Plantation vs Rural as Modern Reconnection
Pale imitations
| Unique citing works | 16 |
|---|---|
| Citations per year | 0,7 |
| Citation span | 2003 - 2023 (21) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 15 |