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Rewriting the Genealogy of Minstrelsy for Modernity

Cry and Sing, Walk and Rage, Scream and Dance

Bibliographic Data

ID5246366
AuthorsMichèle Mendelssohn (0000-0003-0487-5536, corresponding author)
Year2015
Volume48
Issue1-2
Pages127-139
Publication date2015-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAfrican American Review (JOURNAL)
Journal identifiersISSN: 1062-4783 • E-ISSN: 1945-6182
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/afa.2015.0008
OpenAlexW1210600327
LanguageEN
Citations received2
References cited27

W. E. B. Du Bois's Dark Princess (1928) pointedly uses Spirituals and dandyism to interrogate cultural hierarchies. This essay highlights the shared genealogy between early twentieth-century African American writing and two bifurcating branches of nineteenth-century dandyism: the European tradition of Baudelaire and Wilde and the blackface tradition of the minstrel show. Tracing these lines of transmission reveals an unexamined embranchment of literary modernity's family tree and demonstrates how Du Bois's novel repurposes this legacy for the twentieth century

Art · Art history · Blackface · Dance · Genealogy · Hollywood · Literature · Modernity · French Literature and Poetry · History · Philosophy · Race, History, and American Society · Theater, Performance, and Music History

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Unique citing works2
Citations per year0,2
Citation span2016 - 2024 (9)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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