To wake the nations
Race in the making of American literature
Datos Bibliográficos
| ID | 24201574 |
|---|---|
| Autores | Eric J Sundquist |
| Año | 1993 |
| Páginas | 705 |
| Fecha de publicación | 1993-01-01 |
| Open Access | No |
| Tipo | BOOK |
| Revista | To wake the nations (SOURCE_BOOK) |
| Editorial | Belknap Press of Harvard University Press (PUBLISHER) |
| Open Library | OL1729774M |
| ISBN | 9780674893306 |
| Idioma | EN |
| Citas recibidas | 186 |
"This powerful book argues that white culture in America does not exist apart from black culture. The revolution of the rights of man that established this country collided long ago with the system of slavery, and we have been trying to reestablish a steady course for ourselves ever since. To Wake the Nations is urgent and rousing: we have integrated our buses, schools, and factories, but not the canon of American literature. That is the task Eric Sundquist has assumed in a book that ranges from politics to literature, from Uncle Remus to African American spirituals. But the hallmark of this volume is a sweeping reevaluation of the glory years of American literature - from 1830 to 1930 - that shows how white literature and black literature form a single interwoven tradition." "By examining African America's contested relation to the intellectual and literary forms of white culture, Sundquist reconstructs the main lines of American literary tradition from the decades before the Civil War through the early twentieth century. An opening discussion of Nat Turner's "Confessions," recorded by a white man, Thomas Gray, establishes a paradigm for the complexity of meanings that Sundquist uncovers in American literary texts. Focusing on Frederick Douglass's autobiographical books, Herman Melville's Benito Cereno, Martin Delany's novel Blake; or the Huts of America, Mark Twain's Pudd'nhead Wilson, Charles Chesnutt's fiction, and W.E.B. Du Bois's The Souls of Black Folk and Darkwater, Sundquist considers each text against a rich background of history, law, literature, politics, religion, folklore, music, and dance. These readings lead to insights into components of the culture at large: slavery as it intersected with postcolonial revolutionary ideology; literary representations of the legal and political foundations of segregation; and the transformation of elements of African and antebellum folk consciousness into the public forms of American literature."--Jacket.
African American authors · African americans · African americans in literature · Afro americanos · Afro americanos en la literatura · Afro-American authors · American literature · Amerikaans · Auteurs noirs américains · Criticism and interpretation · Ethnische Beziehungen · Geschichte (1830-1930) · History and criticism · Intellectual life · Letterkunde · Literatur · Littérature américaine · Multikulturelle gesellschaft · Negers · Noirs américains · Noirs américains dans la littérature · Race in literature · Race relations in literature · Rassenbeziehung · Relaciones raciales en la literatura · Relations raciales dans la littérature · Segregación en la literatura · Ségrégation dans la littérature · Segregation in literature · Umschulungswerkstätten für Siedler und Auswanderer · Vida intelectual · Vie intellectuelle
These things took the shape of mystery
"A "Cipher Language
The Property of Blackness
Race/Relations, Acts of Discernment, and Ethical Inquiry in Charles W. Chesnutt’s The House behind the Cedars
Romance and Riot
David Walker, Harriet Beecher Stowe, and the Logic of Sentimental Terror
The Grooves of Temporality
Recollecting, Repeating, and Walking Through
Gothic Signifying in Charles Chesnutt’s Mandy Oxendine
The Limits of Literary Realism
Replacing the Father
Black Skin, White Tissues
History Repeating Itself
The Body as Evidence
Theresa and Blake
Within the Veil of Interdisciplinary Knowledge? Jefferson, Du Bois, and the Negation of Politics
W.E.B. Du Bois's Evolving Africana Philosophy Of Education
Romance, Diaspora, and Black Atlantic Literature
Melville and the Idea of Blackness
A History of the Literature of the U.S. South
The Cambridge History of the American Novel
The Poetics of Sovereignty in American Literature, 1885–1910
The Romance of Race
Plantation and Enlightenment
Emerson and Hawthorne; or, Locating the American Renaissance
Plantation Makeover
Slave Narratives as Literature
Slavery in the Eighteenth-Century Literary Imagination
The Poetry of Slavery
Gentility, Resistance, and Nat Turner’s Rebellion in Early African American Poetry
The Cambridge History of Religions in America
The Awakening 's Signifying "Mexicanist" Presence
Classics and Counterpublics in Nineteenth-Century Historically Black Colleges
"A Story of the Island of Cuba"
Between Absorption and Extinction
Louis Agassiz and the American School of Ethnoeroticism
African American literary history and criticism
Narrating Slow Violence
To Make the Past Useful
The Literary Presence of Atlantic Colonialism as Notation and Counterpoint
Frederick Douglass and the Work of Freedom
The Children of Double Consciousness
Vernacular Soliloquy, Theatrical Gesture, and Embodied Consciousness in The Marrow of Tradition
Human Rights and Civil Rights
Du Bois, Dirt Determinism, and the Reconstruction of Global Value
The Person Sitting in Darkness
The Writing of Haiti
Displacing Desire
Carl Schmitt's Myth of Benito Cereno
Toward "A New Southern Studies"
Paul Laurence Dunbar and the Marshall Circle
Passing Into Diplomacy
Racialized Hauntings of the Devalued Dead
American Racial Discourse, 1900-1930
“Rightly Viewed”
The Reconstruction of Whiteness
Writing Revolt in the Wake of Nat Turner
"At the Dawning of the Twentieth Century"
Du Bois on Trauma
Who's Your Mama? "White" Mulatta Genealogies, Early Photography, and Anti-Passing Narratives of Slavery and Freedom
The Epistemology of Slave Conspiracy
Rewriting White, Rewriting Black
Charles W. Chesnutt's Stenographic Realism
Charles W. Chesnutt, Houghton Mifflin, and the Racial Paratext
Witnessing Charles Chesnutt
Pendulum Time, Collective Freedom, and Rethinking the Neo-Slave Narrative in Arna Bontemps’s Black Thunder
The Witch of Endor Slept Here
Dancing on a Flaming World
Citations, Misunderstandings, and Authenticity in Coleridge-Taylor's Spiritual Arrangements
The Racial Economy of Perception
W.E.B. Du Bois and “The damnation of women”
Romantic Reformers and the Antislavery Struggle in the Civil War Era
Specters of Democracy
Nation and Citizenship in the Twentieth-Century British Novel
The Palgrave Handbook of the Southern Gothic
The Politics of Black Joy
Interwar Modernism and the Liberal World Order
The Cambridge History of African American Literature
Central Sites, Peripheral Visions
Afterlives of Modernism
Reading The American Political Tradition in the 21st Century
Melville's Benito Cereno and the Politics of Humanitarian Intervention
Slaves, Viejos , and the Internationale
I Want a Real Coon”
Charles Chesnutt and the Epistemology of Racial Violence
Narrative Reversals and Power Exchanges
Time Enough, but None to Spare”
Melville's Subversive Political Philosophy
Absolute Poe
The Plantation Countermelodies of Dunbar and Du Bois
Eye-Witness to the Cruelty
Inventing Queer
Of Me and of Mine”
Ruins Amidst Ruins
Amoral Abolitionism
Greater Still in Death
Uncle Tom across the Sea (and Back)
Declarations of Liberty
Postcolonialism after W. E. B. Du Bois
Race and Epistemologies of Ignorance
| Obras citantes distintas | 175 |
|---|---|
| Citas por año | 5,81 |
| Intervalo de citas | 1994 - 2025 (32) |
| Velocidad de citación | recent |
| Altamente citado | Sí |
| Tipos de cita | Neutras: 168 |