A Commentary on Euripides' Iphigenia in Tauris
Bibliographic Data
| ID | 19901202 |
|---|---|
| Authors | Poulheria Kyriakou (corresponding author) |
| Year | 2006 |
| Publication date | 2006-12-31 |
| Open Access | No |
| Type | BOOK |
| Venue | Commentary on Euripides' Iphigenia in Tauris (SOURCE_BOOK) |
| Publisher | De Gruyter (PUBLISHER • DE) |
| DOI | 10.1515/9783110926606 |
| OpenAlex | W569783205 |
| Open Library | OL9017796M |
| ISBN | 9783110926606 |
| Language | EN |
| Citations received | 35 |
This work is the first major commentary on Euripides' Iphigenia in Tauris to appear in English in more than 65 years. It offers detailed analysis of a fascinating play that scholars so far had considered mainly as a source of information about Athenian cult and viewed as a romantic adventure story with happy end. Apart from including sober assessments of textual, linguistic and metrical problems, the commentary sheds new light on the play’s treatment of myth, its intricate structure, presentation of character, and place in Euripides’ work. In particular it offers fresh insights into the play’s relationship to the literary tradition, especially its treatment of the crimes of the Pelopids, and its presentation of the complex, ambiguous relationship of humans and gods as well as that of Greeks and barbarians. Unlike most other tragedies, Iphigenia in Tauris does not feature any villain and avoids concentrating on past crimes and their corrosive influence on the characters’ present. The Taurians are not portrayed simply as savage and slow barbarians and Iphigenia, the most intelligent character, fails to transcend her limitations. Religion and cult in both myth and contemporary Athens are a mixture of traditional and invented elements and the play as a whole turns out to be an intriguing and unique experiment in Euripides’ career
Ancient history · Art · Literature · Crime, Deviance, and Social Control · History · Philosophy · Ancient (Classical) Greek · Ancient and Classical · Ancient, Classical & Medieval · Criticism and interpretation · Critique et interprétation · Drama · Euripides · Greek drama · Greek drama (Tragedy) · Greek drama, history and criticism · History and criticism · Iphigenia in Tauris · Iphigenia Taurica (Euripides) · Plays · Plays & playwrights: classical, early & medieval · Tragédie grecque
The messenger-boukolos in Euripide’s Iphigenia in Tauris and Bacchae
Tokens of Identity
Enlèvements de statues divines en bord de mer
Olivier ou palmier
Tragedy against Tyranny
Aristotle and the Tragic Theater in the Fourth Century b.c
In the Footprints of Aeschylus
Iphigeneia
The Tragedians of Heraclea and Comedians of Sinope
The Phanagoria Chous
Introduction
Theatre and Performance in the Bosporan Kingdom
The Northward Advance of Greek Horizons
Celebrating Dionysus in Istros and Tomis
Epilogue
Black Sea Back Story
Fragmentary Greek Tragedies Set in the Black Sea
Ancient Theatre in Tauric Chersonesus
Historiography and Theatre
Paratheatrical Performances in the Bosporan Kingdom
Theatre at Olbia in the Black Sea
Euripides
Wonder and the Marvellous from Homer to the Hellenistic World
Espanto ou maravilhamento (thauma) na Ifigênia em Táuris de Eurípides
Mythos and catharsis in Aristotle’s Poetics
El problema del sacrificio humano en "Ifigenia entre los tauros" de Eurípides
El canon implícito de Aristóteles
Clytemnestra's letter in Iakovos Kambanellis’ Letter to Orestes
Ancient Theatre and Performance Culture Around the Black Sea
Oppian's Halieutica
Genre in Archaic and Classical Greek Poetry
Ajax behind the skēnē
Standing in a Chorus in Euripides Electra 178 and Iphigenia in Tauris 1143
Birds, stars, and mousikē
Les prologues d'Iphigénie en Tauride, Hélène, Les Phéniciennes et Oreste
| Unique citing works | 35 |
|---|---|
| Citations per year | 2,33 |
| Citation span | 2011 - 2024 (14) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 28 |