From Afro-Cuban Rhythms to Latin Jazz
Bibliographic Data
| ID | 19902452 |
|---|---|
| Authors | Raul A Fernandez (corresponding author) |
| Year | 2006 |
| Pages | 215 |
| Publication date | 2006-05-23 |
| Open Access | No |
| Type | BOOK |
| Venue | From Afro-Cuban rhythms to Latin jazz (SOURCE_BOOK) |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/9780520939448 |
| OpenAlex | W214136967 |
| Open Library | OL29602784M |
| ISBN | 9780520939448 |
| Language | EN |
| Citations received | 10 |
This book explores the complexity of Cuban dance music and the webs that connect it, musically and historically, to other Caribbean music, to salsa, and to Latin Jazz. Establishing a scholarly foundation for the study of this music, Raul A. Fernandez introduces a set of terms, definitions, and empirical information that allow for a broader, more informed discussion. He presents fascinating musical biographies of prominent performers Cachao López, Mongo Santamaría, Armando Peraza, Patato Valdés, Francisco Aguabella, Cándido Camero, Chocolate Armenteros, and Celia Cruz. Based on interviews that the author conducted over a nine-year period, these profiles provide in-depth assessments of the musicians’ substantial contributions to both Afro-Cuban music and Latin Jazz. In addition, Fernandez examines the links between Cuban music and other Caribbean musics; analyzes the musical and poetic foundations of the Cuban son form; addresses the salsa phenomenon; and develops the aesthetic construct of sabor, central to Cuban music. Copub: Center for Black Music Research
Aesthetics · Art · Art history · Jazz · Latin Americans · Linguistics · Literature · MAGIC (telescope) · Popular music · Rhythm · Taste · Cuban History and Society · History · Philosophy · Psychology · Black People · Blacks · Blacks, music · Cuba · Historia crítica · Historia y crítica · History and criticism · Jazz, history and criticism · Latin jazz · Music · Música · Música folclórica cubana · Música popular cubana · Musicians · Negros
Bongó Itá
At the Crossroads between Paris, Texas and the Buena Vista Social Club, Havana
Reinventing the Latin in Latin Jazz
It's the sugar, the honey that you have’
Stone Cold Dead in the Market”
Somos la mezcla perfecta, la combinación más pura, cubanos, la más grande creación
Coordinating Movements
Boundaries Bind Unbinding”
On the Outer Rim of Jazz
Géneros musicales en la trilogía policíaca de Jean-Claude Izzo (1945-2000)
| Unique citing works | 10 |
|---|---|
| Citations per year | 0,53 |
| Citation span | 2007 - 2021 (15) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |