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Reading Arab Women's Autobiographies

Shahrazad Tells Her Story

Bibliographic Data

ID19904653
AuthorsNawar Al‐hassan Golley (corresponding author), Nawar Al-Hassan Golley
Year2003
Publication date2003-12-31
Open AccessNo
TypeBOOK
VenueReading Arab Women's Autobiographies (SOURCE_BOOK)
PublisherUniversity of Texas Press (PUBLISHER • US)
DOI10.7560/705449
OpenAlexW2618846687
ISBN9780292798861
Open LibraryOL34809113M
LanguageEN
Citations received19

Authors of autobiographies are always engaged in creating a "self" to present to their readers. This process of self-creation raises a number of intriguing questions: why and how does anyone choose to present herself or himself in an autobiography? Do women and men represent themselves in different ways and, if so, why? How do differences in culture affect the writing of autobiography in various parts of the world? This book tackles these questions through a close examination of Arab women's autobiographical writings. Nawar Al-Hassan Golley applies a variety of western critical theories, including Marxism, colonial discourse, feminism, and narrative theory, to the autobiographies of Huda Shaarawi, Fadwa Tuqan, Nawal el-Saadawi, and others to demonstrate what these critical methodologies can reveal about Arab women's writing. At the same time, she also interrogates these theories against the chosen texts to see how adequate or appropriate these models are for analyzing texts from other cultures. This two-fold investigation sheds important new light on how the writers or editors of Arab women's autobiographies have written, documented, presented, and organized their texts

Art · Literature · Political science · Reading (process) · Sociology · Gender Studies · History · Islamic Studies and History · Law · Socioeconomic Development in MENA · Arab countries · Autobiography · Autobiography, women authors · biography · Feminists · Women · Women authors

  • Hidden feminism is feminism

    Open Access•Jihan Zakarriya•Feminist Theory•2026

  • Arab Autographics

    Open Access•Hiyem Cheurfa•Interventions•2026

  • Narrative Strategies of Self-Definition and Voice in Leila Abouzeid’s Return to Childhood

    Ariel M Sheetrit•Journal of Middle East Women s…•2015

  • Blurred Genres, Blended Memories

    Katwiwa Mule•Meridians•2006

  • The Tunisian rap scene

    Open Access•Jyhene Kebsi•The Journal of North African…•2025

  • To Write of the Conjugal Act

    Siobhan Lambert-Hurley•Journal of the History of Sexuality•2014

  • Annual Bibliography of Works about Life Writing, 2003-2004

    Phyllis E Wachter•Biography•2004

  • Wounded Cities

    Hager Ben Dri, Hager Ben Driss•Biography•2019

  • Tyrannical Femininity” in Nawal El Saadawi's Memoirs of a Woman Doctor

    Guèye Guèye•Research in African Literatures•2010

  • Nasser in the Egyptian Imaginary

    Omar Khalifah•Nasser in the Egyptian Imaginary•2016

  • Shahrazadian Gestures in Arab Women’s Autobiographies

    Pauline Homsi Vinson•NWSA Journal•2008

  • Claiming modernity in Egypt

    Robert Stilling•Feminist Modernist Studies•2021

  • Watch this Woman

    Natasha Gordon-Chipembere•Scrutiny2•2009

  • Riverbend's blogosphere

    Wisam Kh Abdul-Jabbar•Critical Discourse Studies•2013

  • Writing Disidentification and the Relational Self in Fadwa Tuqan’s Mountainous Journey

    Noha F Abdelmotagally•Journal of Middle East Women s…•2015

  • Harem education and heterotopic imagination

    Elif Ekin Akşit•Gender and Education•2010

  • Habituation Devours Things

    Bernadette Andrea•Hawwa•2014

  • Strategically Speaking

    Nawar Al‐hassan Golley•Hawwa•2014

  • To write/to revolt

    Sherine Fouad Mazloum•Journal for Cultural Research•2015

Citations per year0.86
Citation span2004 - 2026 (23)
Highly citedNo

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