The Emergence of Irish Gothic Fiction
History, Origins, Theories
Bibliographic Data
| ID | 19906415 |
|---|---|
| Authors | John Killeen (0000-0002-8132-0668, corresponding author), Jarlath Killeen |
| Year | 2013 |
| Pages | 248 |
| Publication date | 2013-12-11 |
| Open Access | Yes |
| Type | BOOK |
| Venue | The Emergence of Irish Gothic Fiction - Histories, Origins, Theories (SOURCE_BOOK) |
| Publisher | Edinburgh University Press (PUBLISHER • GB) |
| DOI | 10.1515/9780748690817 |
| OpenAlex | W1525889899 |
| Open Library | OL31367455M |
| ISBN | 9780748690817 |
| Language | EN |
| Citations received | 6 |
| References cited | 38 |
Killeen's book provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century. This book provides a robustly theorised and thoroughly historicised account of the ‘beginnings’ of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition. This reading demonstrates the connections between little-known Irish gothic fictions of the mid-eighteenth century (The Adventures of Miss Sophia Berkley and Longsword), and the Irish gothic tradition more generally, and also the gothic as a genre of global significance. Key Features Examines gothic texts including Mary Shelley's Frankenstein, Horace Walpole's The Castle of Otranto, Bram Stoker's Dracula, Charles Robert Maturin's Melmoth the Wanderer, (Anon), The Adventures of Miss Sophia Berkley and Thomas Leland's Longsword Provides a rigorous and robust theory of the Irish Gothic Reads early Irish gothic fully into the political context of mid-eighteenth century Ireland This title was made Open Access by libraries from around the world through Knowledge Unlatched
Adventure · Archaeology · Art · Art history · Dracula · Irish · Literature · Politics · Classics · Crime, Deviance, and Social Control · Gothic Literature and Media Analysis · History · Joseph Conrad and Literature · Law · Philosophy · Gothic fiction (literary genre) · Gothic fiction (literary genre), history and criticism · History and criticism · ireland · Literature: history & criticism
The Madwoman in the Attic
The correspondence of Edmund Burke
Vested Interests
Before novels
Locating Irish Folklore
The Literary in Theory
The Politics of Romantic Poetry
The Idea of a University
Moral Panic
Skin Shows
Powers of Horror
Fantasy
Fear of Popery
The Politics of Recognition
British Identities, Heroic Nationalisms, and the Gothic Novel, 1764–1824
The Pleasures of Horror
Oedipus and the Devil
Tradition Counter Tradition
The Order of Things
The Protestant Calendar and the Vocabulary of Celebration in Early Modern England
Woman and Nation
Political Toasting in Eighteenth-Century Ireland
The Uses of 23 October 1641 and Irish Protestant Celebrations
A History of Ireland
The Whiteboy movement, 1761-5
Ascendancy and Tradition in Anglo-Irish Literary History from 1789 To 1939
Nationalism and historical scholarship in modern Ireland
The philosophy of horror, or, Paradoxes of the heart
Prejudice
Marxism and form
Introducción a la literatura fantástica
The Irish Penal Code and Some of Its Historians
Terrific Register
Britishness and Otherness
Allegory as Interpretation
The Political Unconscious
The Ritual Process
| Unique citing works | 6 |
|---|---|
| Citations per year | 0,55 |
| Citation span | 2015 - 2023 (9) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 5 |