Slave songs of the United States
Bibliographic Data
| ID | 19917675 |
|---|---|
| Authors | William Francis Allen, Charles Pickard Ware, Lucy McKim Garrison |
| Year | 1867 |
| Pages | 224 |
| Publication date | 1867-01-01 |
| Open Access | Yes |
| Type | BOOK |
| Venue | Slave Songs of the United States (SOURCE_BOOK) |
| Publisher | A. Simpson & Co (PUBLISHER) |
| DOI | 10.5479/sil.78680.39088002074508 |
| OpenAlex | W1500510389 |
| Open Library | OL28473879M |
| ISBN | 9780807869499 |
| Language | EN |
| Citations received | 56 |
The musical capacity of tlie negro race lias been recog- nized for so many years that it is hard to explain why no systematic effort has hitherto been made to collect and preserve their melodies. More than thirty years ago those plantation songs made their appearance which were so extraordinarily popular for a while ; and if " Coal-black Rose," " Zip Coon" and u Ole Virginny nebber tire" have been succeeded by spurious imita- tions, manufactured to suit the somewhat sentimental taste of our community, the fact that these were called "negro melodies" was itself a tribute to the musical genius of the race
Geography · Colonialism, slavery, and trade · History · Race, History, and American Society · African americans · English Folk songs · Enslaved persons · Folk music · Folk songs, american · Folk songs, english · Music · Slaves · Songs and music · Spirituals (songs) · united states
"Strangers Still More Strange"
Half Bacchanalian, Half Devout”
A herança musical da escravidão
Cultural Creolization
Solomon Northup's Singing Book
"Play That Barber Shop Chord"
Hip Hop Samples Jazz
Plantation Song
Mutual Reinforcement and the Origins of Spirituals
Afro-American Folksong Scholarship
Singing and Shouting in Moving Star Hall
Congregational Singing Traditions in South Carolina
Cosmopolitan or Provincial
Black Spirituals
Toward a Critical Biography
The Nineteenth-Century Origins of Jazz
Us likes a Mixtery’
Singing 'Bout a Good Time
From the Calendas to the Calenda
An American Folk Opera? Triangulating Folkness, Blackness, and Americaness in Gershwin and Heyward's Porgy and Bess
From the Barn to the Bowery and Back Again
Africana Folklore
Somethin' on My Mind
Early American Music and the Construction of Race
Da senzala ao palco
Reds, Whites, and the Blues
Soul Texts and the Blackness of Folk
Veiled Testimony
Joel Chandler Harris and the Folklore of Slavery
Discourse of Slavery
(Special Section, Hymns Beyond the Congregation II)
Colloquy
Citations, Misunderstandings, and Authenticity in Coleridge-Taylor's Spiritual Arrangements
The Penn School’s Educational Curriculum
A Tale of Two Liberalisms
Implications of Universal and Parochial Behavior for Intercultural Communication
Towards an African-American Genealogy of Market and Religion in Rap Music
Civil War Song in Black and White
The Making of a Black Liturgy
Working-Class Women's Literature
Memory and representation
Cultural Trauma
Cambridge Cultural Social Studies
At intervals I was nearly stunned by the noise he made’
On the Tonic Added-Sixth Chord in Jazz
The Fossil Bird-Tracks”
The Practice of Refusal in Willis Laurence James's Song Collecting
The origins of syncopation in American popular music
Hauntological Pedagogies
From quadrille to stomp
The Wilderness and Paradise in the History of the Church
Deep like the Rivers
American music writing
L'image musicale du souvenir
An American Folk Opera? Triangulating Folkness, Blackness, and Americaness in Gershwin and Heyward'sPorgy and Bess
From the Barn to the Bowery and Back Again
| Unique citing works | 56 |
|---|---|
| Citations per year | 0,84 |
| Citation span | 1959 - 2025 (67) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 32 |