A Companion to Henslowe's Diary
Bibliographic Data
| ID | 19918955 |
|---|---|
| Authors | Neil Carson (corresponding author) |
| Year | 1988 |
| Publication date | 1988-02-26 |
| Open Access | Yes |
| Type | BOOK |
| Venue | Companion to Henslowe's Diary (SOURCE_BOOK) |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/cbo9780511554162 |
| OpenAlex | W1988885105 |
| ISBN | 9780511554162 |
| Open Library | OL7745635M |
| Language | EN |
| Citations received | 11 |
Henslowe's 'diary' is a unique source of information about the day-to-day running of the Elizabethan repertory theatre. Philip Henslowe, a theatrical entrepreneur, kept records of his financial dealings with London companies and actors from 1592–1604. The diary itself is difficult to decipher. Neil Carson's analysis is based on a much more thorough correlation of Henslowe's entries than has been attempted before, breaking down into clear tabular form the main items of income and expenditure and drawing conclusions about the management procedures of the companies, the professional relationships of actors and playwrights and the ways in which plays were written, rehearsed and programmed. Previous speculation has dismissed Henslowe himself as ignorant, disorderly and grasping. Carson shows him to have been a benign and efficient businessman whose control over the actors' professional activities was much less extensive than has often been supposed
Art · Index (typography) · Landlord · Political science · World Wide Web · Computer Science · Cultural Studies and Interdisciplinary Research · History · Irish and British Studies · Law · Theatre and Performance Studies · 16th century · Diaries · England · Great britain · Philip Henslowe (d. 1616) · Theater · Theatrical managers
Drama outside London after 1540
The Bible as play in Reformation England
The development of a professional theatre, 1540–1660
Theatre and controversy, 1572–1603
Working playwrights, 1580–1642
Titus Andronicus and Trapdoors at the Rose and Newington Butts
The condition of theatre in England in 1599
The condition of the theatres in 1642
Brute Parts
Household Property/Stage Property
Collaborating across Generations
| Citations per year | 0.37 |
|---|---|
| Citation span | 1996 - 2018 (23) |
| Highly cited | No |