Brute Parts
From Troy to Britain at the Rose, 1595–1600
Bibliographic Data
| ID | 20083995 |
|---|---|
| Authors | Misha Teramura (0009-0000-2407-415X, corresponding author) |
| Year | 2014 |
| Pages | 127-147 |
| Publication date | 2014-01-01 |
| Open Access | Yes |
| Type | CHAPTER |
| Venue | Lost Plays in Shakespeare's England (SOURCE_BOOK) |
| Publisher | Palgrave Macmillan UK (PUBLISHER) |
| DOI | 10.1057/9781137403971_8 |
| OpenAlex | W2439015770 |
| ISBN | 9781137403971 |
| Language | EN |
| Citations received | 2 |
| References cited | 13 |
One of the arguments that Thomas Heywood invokes to defend the theatre industry in his Apology for Actors is that plays have served a vital public function: providing audiences with an education in English history
Art · Art history · Function (biology) · Rose (mathematics) · History · Mathematics · Philippine History and Culture · Shakespeare, Adaptation, and Literary Criticism · Theater, Performance, and Music History
The Oxford Handbook of Holinshed's Chronicles
A Companion to Henslowe's Diary
The Ideological Origins of the British Empire
Utter Antiquity
Our Ancestors, the Trojans
We were the Trojans
The Book of Troy and the Genealogical Construction of History
The English History Play in the age of Shakespeare
Reading the Medieval in Early Modern England
| Citations per year | 0.2 |
|---|---|
| Citation span | 2016 - 2016 (1) |
| Highly cited | No |