DIY Cultures and Underground Music Scenes
Bibliographic Data
| ID | 19928893 |
|---|---|
| Authors | Paula Guerra-Zamora (0000-0001-8180-3101) |
| Editors | Andy Bennett (0000-0003-4194-9741), Paula Guerra (0000-0003-2377-8045) |
| Year | 2018 |
| Publication date | 2018-12-07 |
| Open Access | No |
| Type | BOOK |
| Venue | DIY Cultures and Underground Music Scenes (SOURCE_BOOK) |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.4324/9781315226507 |
| OpenAlex | W2985222342 |
| Open Library | OL40045090M |
| ISBN | 9781315226507 |
| Language | EN |
| Citations received | 36 |
This volume examines the global influence and impact of DIY cultural practice as this informs the production, performance and consumption of underground music in different parts of the world. The book brings together a series of original studies of DIY musical activities in Europe, North and South America, Asia and Oceania. The chapters combine insights from established academic writers with the work of younger scholars, some of whom are directly engaged in contemporary underground music scenes.\n\nThe book begins by revisiting and re-evaluating key themes and issues that have been used in studying the cultural meaning of alternative and underground music scenes, notably aspects of space, place and identity and the political economy of DIY cultural practice. The book then explores how the DIY cultural practices that characterize alternative and underground music scenes have been impacted and influenced by technological change, notably the emergence of digital media. Finally, in acknowledging the over 40-year history of DIY cultural practice in punk and post-punk contexts, the book considers how DIY cultures have become embedded in cultural memory and the emotional geographies of place.\n\nThrough combining high-quality data and fresh conceptual insights in the context of an international body of work spanning the disciplines of popular-music studies, cultural and media studies, and sociology the book offers a series of innovative new directions in the study of DIY cultures and underground/alternative music scenes. This volume will be of particular interest to undergraduate students in the above-mentioned fields of study, as well as an invaluable resource for established academics and researchers working in these and related fields
Art · Geography · Visual arts · Asian Culture and Media Studies · Digital Games and Media · Music History and Culture · Electronic dance music · Instruction & Study · Music · Punk (Mouvement) · Punk (Musique) · Punk culture · Punk rock music · Social aspects · Theory
From Girl Germs to Garage Shock
The DIY careers of young classical musicians in neoliberal times
Non-heroic DIY in the (new) no future
American indie cinema between DIY cultures and global Hollywood
Symbolic DIY environmentalism between sustainability statements and green pressure
Baby Raves
Defining Authenticity in the Mid-2000s Australian Hip-Hop Scene
Introduction
Do-It-Yourself white supremacy
Out on the Floor
Music-making Beyond the Pub
Terrorismos e pontes do musicar local
The rise of independent artists and the paradox of democratisation in the digital age
Motivations and Attitudes
Carmen Miranda
Albuquerque
“Saudades da festa!”
Ninguém nos ensina como viver. Ana da Silva, The Raincoats e a urgência de (re)existir
Civilizational dissent at late 1990’s
Becoming Sustainable, Underground
Sons, Corpos e Lugares
Rethinking criticism about lossy compression
Situating do-it-yourself
Dreaming is not enough. Audiovisual methodologies, social inclusion, and new forms of youth biopolitical resistance
Socius improvisus
Dumpster Diving
Impact of social media on artistic ecosystems
Music scenes and cultural ecosystems – Alternative practices between ‘official policy recognition’ and ‘post-pandemic austerity’
The precarity of differences
Oscar Wilde, Dener Pamplona de Abreu
How punk and post-punk politics mirror the contemporary left
Methodological challenges of researching an emerging scene
“Making-do”
Social media platforms and the logics of marginalized knowledge production in East Asia
Making homemade wine, online
Brazilian girls power in a rock camp
| Unique citing works | 36 |
|---|---|
| Citations per year | 5,14 |
| Citation span | 2019 - 2026 (8) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 24 |