Italian National Cinema
Bibliographic Data
| ID | 19936629 |
|---|---|
| Authors | Pierre Sorlin (corresponding author) |
| Year | 2006 |
| Pages | 212 |
| Publication date | 2006-08-21 |
| Open Access | No |
| Type | BOOK |
| Venue | Italian National Cinema (SOURCE_BOOK) |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.4324/9780203134665 |
| OpenAlex | W2908806462 |
| Open Library | OL38741089M |
| ISBN | 9780203134665 |
| Language | EN |
| Citations received | 9 |
From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture
Art · Art history · Movie theater · National cinema · Political science · Italian Fascism and Post-war Society
Das narrativas de fundação às narrativas de dissolução. A questão da identidade nacional no cinema contemporâneo
Producing the ideal fascist landscape
Against realism
Film regulation and the construction of a nation
Cuore and the cinema
The invisible war on nature
The Competitive Balance of the Italian and American Film Industries
The New Navajo Cinema
Theatrical Feature Film Trade in the United States, Europe, and Japan Since the 1950s
| Unique citing works | 9 |
|---|---|
| Citations per year | 0,35 |
| Citation span | 2000 - 2019 (20) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |