Producing the ideal fascist landscape
Nature, materiality and the cinematic representation of land reclamation in the Pontine Marshes
Bibliographic Data
| ID | 5117366 |
|---|---|
| Authors | Federico Caprotti (0000-0002-5280-1016, a Department of Geography , University College London , Gower Street, London , WC1E 6BT , UK E-mail), Maria Kaika (0000-0001-8678-3082, b School of Environment and Development, The University of Manchester , PO Box 88, Manchester , M60 1QD , UK E-mail) |
| Year | 2008 |
| Volume | 9 |
| Issue | 6 |
| Pages | 613-634 |
| Publication date | 2008-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Social & Cultural Geography (JOURNAL) |
| Journal identifiers | ISSN: 1464-9365 • E-ISSN: 1470-1197 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/14649360802292447 |
| OpenAlex | W2108319964 |
| Language | EN |
| Citations received | 20 |
| References cited | 60 |
Using previously unpublished material from the L'Unione Cinematografica Educativa (LUCE) archive and the Central State Archive in Rome, this article examines how film-making became part and parcel of the process of ‘taming’ nature in the Pontine Marshes under Mussolini's regime. Fascist authorities perceived the undisciplined and unproductive nature of the ‘death-inducing’ swamps as something that had to be extinguished from the face of Italy, to make way for an ideal fascist nature that would nurture ideal fascist subjects. We argue that the success of transforming the swamps owed as much to the extensive investment of labour power, capital, and technology, as it did to the careful staging of every step of the project through cinematographic representations. Although planning and land reclamation institutions were responsible for the material production of the reclaimed land, the LUCE institute was instrumental in actively turning this new land into the ideal fascist landscape. In so doing, the paper offers a new reading on landscape and nationalism explored through an analysis of the production of landscape in Italy under Mussolini
Aesthetics · Archaeology · Art · Ideal (ethics · Land reclamation · Marsh · Materiality (auditing · Political science · Sociology · Wetland · History · Italian Fascism and Post-war Society · Law · Memory, Trauma, and Commemoration · Photography and Visual Culture
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| Unique citing works | 20 |
|---|---|
| Citations per year | 1,18 |
| Citation span | 2009 - 2026 (18) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 20 |