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Theater Outside Athens

Drama in Greek Sicily and South Italy

Dados Bibliográficos

ID19937460
AutoresBenjamin Acosta‐Hughes, Jonathan M M Hall (0000-0002-7719-1103), Kathryn A Morgan, Andreas Willi (0000-0002-8694-2845), Lucía Rodríguez‐Noriega Guillén (0000-0003-3236-3060), David G Smith (0000-0002-2484-2603), Anne Duncan, S Sara Monoson, Clemente Marconi, Stefano Vassallo, Oliver Taplin, Luigi Todisco, Chris Dearden, J R Green, Bonnie Maclachlan, David Kutzko
EditoresKathryn Bosher
Ano2012
Data de publicação2012-08-02
Open AccessSim
TipoBOOK
PeriódicoTheater Outside Athens (SOURCE_BOOK)
EditoraCambridge University Press (PUBLISHER • US)
DOI10.1017/cbo9781139032377
OpenAlexW632404951
Open LibraryOL34478658M
ISBN9781139032377
IdiomaEN
Citações recebidas51

This volume brings together archeologists, art historians, philologists, literary scholars, political scientists, and historians to articulate the ways in which western Greek theater was distinct from that of the Greek mainland and, at the same time, to investigate how the two traditions interacted. The chapters intersect and build on each other in their pursuit of a number of shared questions and themes: the place of theater in the cultural life of Sicilian and South Italian 'colonial cities;' theater as a method of cultural self-identification; shared mythological themes in performance texts and theatrical vase-painting; and the reflection and analysis of Sicilian and South Italian theater in the work of Athenian philosophers and playwrights. Together, the essays explore central problems in the study of western Greek theater. By gathering a number of different perspectives and methods, this volume offers the first wide-ranging examination of this hitherto neglected history

Apotheosis · Archaeology · Art · Art history · Colonialism · Comedy · Comics · Drama · Literature · Mythology · Painting · Philology · Poetry · Politics · Rhetoric · Sicilian · Sociology · Visual arts · Classical Antiquity Studies · Classics · Gender Studies · History · Philosophy · Greek drama · Italy · Theater

  • Theater without Theaters

    Sander M Goldberg•TAPA•2018

  • The Campanian Case of Gaius Lucilius

    Ian Goh•Illinois Classical Studies•2015

  • Rhesus and the Evolution of Tragedy

    Kathryn Mattison•The Classical World•2015

  • The Metatheatrical Payoff of Splitting Theseus in the Oedipus at Colonus

    Emily Jusino•The Classical World•2019

  • Laughter

    Open Access•Stephen Halliwell•Cambridge Companion to Greek Comedy•2014

  • Fourth-century comedy before Menander

    Open Access•Keith Sidwell•Cambridge Companion to Greek Comedy•2014

  • The Tragedians of Heraclea and Comedians of Sinope

    Open Access•Edith Hall•Ancient Theatre and Performance…•2019

  • Performing gender in Greek Old and New Comedy

    Open Access•Helene P Foley•Cambridge Companion to Greek Comedy•2014

  • Epicharmus and early Sicilian comedy

    Open Access•Kathryn Bosher•Cambridge Companion to Greek Comedy•2014

  • The rivals of Aristophanes and Menander

    Open Access•Zachary P Biles•Cambridge Companion to Greek Comedy•2014

  • Character types

    Open Access•Ian Ruffell•Cambridge Companion to Greek Comedy•2014

  • Comedy and Athenian festival culture

    Open Access•Edith Hall•Cambridge Companion to Greek Comedy•2014

  • The Phanagoria Chous

    Open Access•Jeffrey Rusten, Jeffrey S Rusten•Ancient Theatre and Performance…•2019

  • Introduction

    Open Access•David Braund•Ancient Theatre and Performance…•2019

  • Theatre and Performance in the Bosporan Kingdom

    Open Access•David Braund•Ancient Theatre and Performance…•2019

  • Snapshots of Aristophanes and Menander

    Open Access•Gonda Van Steen•Cambridge Companion to Greek Comedy•2014

  • The Northward Advance of Greek Horizons

    Open Access•Stephanie West•Ancient Theatre and Performance…•2019

  • Comedy and Athenian law

    Open Access•Victoria Wohl•Cambridge Companion to Greek Comedy•2014

  • Attic comedy in the rhetorical and moralising traditions

    Open Access•Richard Hunter•Cambridge Companion to Greek Comedy•2014

  • Modelling Trade in Athenian Pottery in the Archaic and Classical Period

    Open Access•Robin Osborne•The Critique of Archaeological…•2021

  • Celebrating Dionysus in Istros and Tomis

    Open Access•Madalina Dana•Ancient Theatre and Performance…•2019

  • Epilogue

    Open Access•David Braund•Ancient Theatre and Performance…•2019

  • The politics of Greek comedy

    Open Access•Alan H Sommerstein, Alan Sommerstein•Cambridge Companion to Greek Comedy•2014

  • Dramatic technique and Athenian comedy

    Open Access•C W Marshall•Cambridge Companion to Greek Comedy•2014

  • Black Sea Back Story

    Open Access•Edith Hall•Ancient Theatre and Performance…•2019

  • Contexts of reception in antiquity

    Open Access•Sebastiana Nervegna•Cambridge Companion to Greek Comedy•2014

  • Fragmentary Greek Tragedies Set in the Black Sea

    Open Access•Rosie Wyles•Ancient Theatre and Performance…•2019

  • Ancient Theatre in Tauric Chersonesus

    Open Access•Sergey Saprykin•Ancient Theatre and Performance…•2019

  • Historiography and Theatre

    Open Access•David Braund•Ancient Theatre and Performance…•2019

  • The reception of Greek comedy in Rome

    Open Access•Michaël Fontaine•Cambridge Companion to Greek Comedy•2014

  • The Greek ‘comic hero’

    Open Access•Ralph M Rosen•Cambridge Companion to Greek Comedy•2014

  • Theiconography of comedy

    Open Access•Eric Csapo•Cambridge Companion to Greek Comedy•2014

  • Paratheatrical Performances in the Bosporan Kingdom

    Open Access•Maya Muratov•Ancient Theatre and Performance…•2019

  • Theatre at Olbia in the Black Sea

    Open Access•Valeriya Bylkova•Ancient Theatre and Performance…•2019

  • Wonder and the Marvellous from Homer to the Hellenistic World

    Open Access•Jessica Lightfoot•Wonder and the Marvellous from…•2021

  • Divinity and religious practice

    Open Access•Martin Revermann•Cambridge Companion to Greek Comedy•2014

  • Figurines in Hellenistic Babylonia

    Open Access•Stephanie M Langin-Hooper•Figurines in Hellenistic Babylonia•2020

  • Sicilian Theatres with Paraskenia Scene Buildings

    Maria Panagiotonakou•JOURNAL OF GREEK ARCHAEOLOGY•2021

  • Representation of Whom? Ancient Moments of Seeking Refuge and Protection

    Open Access•Elena Isayev•Humanities•2023

  • Choral Constructions in Greek Culture

    Open Access•Deborah Steiner, Deborah Tarn Steiner•Choral Constructions in Greek…•2021

  • The Cambridge Companion to Greek Comedy

    Open Access•Zachary P Biles, David Konstan et al.•Cambridge Companion to Greek Comedy•2014

  • Sophocles

    Open Access•Sophocles ca v Chr v Chr, Patrick Finglass et al.•Sophocles•2018

  • Ancient Theatre and Performance Culture Around the Black Sea

    Open Access•David Braund, Edith Hall et al.•Ancient Theatre and Performance…•2019

  • The Puppet and the Puppet-Master in Ancient Greece

    Open Access•Mali Skotheim•Open Library of Humanities•2022

  • Rediscovering the Intangible Heritage of Past Performative Spaces

    Open Access•Angela Bellia, Antonella Bevilacqua•Heritage•2022

  • The Land of Green Plums

    Shamsodin Royanian, Omid Etemadi•Comedy Studies•2016

  • Hermippus FGrH 1026 F84

    Open Access•Tomasz Mojsik•Klio•2018

  • Skēptron in Sophocles’ Oedipvs Rex

    Open Access•Francesco Cannizzaro, Stefano Fanucchi et al.•The Classical Quarterly•2019

  • Theopompus’ Homer

    Matthew C Farmer•Classical Philology•2020

  • Aristophanes’ Komödien als Lesetexte

    Fabian Zogg•Philologus•2017

  • The Revenge of the Refugee

    Open Access•Jason R Harris, Jason Harris•Pallas•2020

Obras citantes distintas51
Citações por ano4,25
Intervalo de citações2014 - 2023 (10)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 47
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