Men, women, and chain saws

Gender in the modern horror film

Bibliographic Data

ID19940501
AuthorsCarol J Clover (corresponding author)
Year1992
Volume30
Issue01
Pages30-0181-30-0181
Publication date1992-09-01
Open AccessNo
TypeREVIEW
Review ofMen, Women, and Chain Saws: Gender in the Modern Horror Film, Carol J Clover, 2015
VenueChoice Reviews Online (JOURNAL)
Journal identifiersISSN: 0009-4978 • E-ISSN: 1523-8253
PublisherAmerican Library Association (PUBLISHER • US)
DOI10.5860/choice.30-0181
OpenAlexW1594383923
LanguageEN

Do the pleasures of horror movies really begin and end in sadism? So the public discussion of film assumes, and so film theory claims. Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero, who suffers fright but rises to vanquish the forces of oppression. Clover, a medievalist, had written extensively on the literature and culture of early northern Europe, especially the Old Norse sagas. From her expertise in formulaic narrative grew her interest in contemporary cinema, which is, after all, yet another form of oral storytelling. Men, Women, and Chain Saws investigated the appeal of horror cinema, in particular the phenomenal popularity of those low genres that feature female heroes and play to male audiences: slasher, occult, and rape-revenge films. Such genres seem to offer sadistic pleasure to their viewers, and not much else. Clover, however, argued the reverse: that these films are designed to align spectators not with the male tormentor, but with the female tormented--with the suffering, pain, and anguish that the girl, as Clover calls the victim-hero, endures before rising, finally, to vanquish her oppressor. The book has found an avid readership from students of film theory to major Hollywood filmmakers, and the figure of the final girl has been taken up by a wide range of artists, inspiring not just filmmakers but also musicians and poets

Aesthetics · Appeal · Art · Art history · Girl · HERO · Hollywood · Literature · Movie theater · Narrative · Pleasure · Popularity · Sociology · Storytelling · Cinema and Media Studies · Gothic Literature and Media Analysis · Law · Psychology · Sexuality, Behavior, and Technology · Social Psychology

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