Andean Entrepreneurs
Otavalo Merchants and Musicians in the Global Arena
Bibliographic Data
| ID | 19944277 |
|---|---|
| Authors | Lynn A Meisch (corresponding author) |
| Year | 2002 |
| Publication date | 2002-12-31 |
| Open Access | No |
| Type | BOOK |
| Venue | Andean Entrepreneurs (SOURCE_BOOK) |
| Publisher | University of Texas Press (PUBLISHER • US) |
| DOI | 10.7560/752580 |
| OpenAlex | W4246987404 |
| Open Library | OL34811314M |
| ISBN | 9780292798519 |
| Language | EN |
| Citations received | 34 |
Native to a high valley in the Andes of Ecuador, the Otavalos are an indigenous people whose handcrafted textiles and traditional music are now sold in countries around the globe. Known as weavers and merchants since pre-Inca times, Otavalos today live and work in over thirty countries on six continents, while hosting more than 145,000 tourists annually at their Saturday market. In this ethnography of the globalization process, Lynn A. Meisch looks at how participation in the global economy has affected Otavalo identity and culture since the 1970s. Drawing on nearly thirty years of fieldwork, she covers many areas of Otavalo life, including the development of weaving and music as business enterprises, the increase in tourism to Otavalo, the diaspora of Otavalo merchants and musicians around the world, changing social relations at home, the growth of indigenous political power, and current debates within the Otavalo community over preserving cultural identity in the face of globalization and transnational migration. Refuting the belief that contact with the wider world inevitably destroys indigenous societies, Meisch demonstrates that Otavalos are preserving many features of their culture while adopting and adapting modern technologies and practices they find useful
Business · Geography · Migration, Ethnicity, and Economy · Economic conditions · Ecuador · International business enterprises
Made in Ecuador
Kichwa joke-telling in global tourism
Becoming Indigenous
The Andean Conjunto , Bolivian Sikureada and the Folkloric Musical Representation Continuum
Producing and Circulating Kichwa Community in Intercultural Ecuador
Bad Mothers’ and ‘Delinquent Children’
Loving to Straighten Out Development
For every border, there is also a bridge’
Trust and Rule
In Touch with the Earth? Musical Instruments, Gender and Fertility in the Bolivian Andes
Between Indigeneity and Diaspora
Risk‐Seeking Peasants, Excessive Artisans
Fast, easy, and in cash
Petit capitalisms in disaster, or the limits of neoliberal imagination
I Am Proud to Be an Indian
Performativity, Performance, and Indigenous Activism in Ecuador and the Andes
Craft Production, Household Diversification, and Domestic Economy in Prehispanic Mesoamerica
Between Interculturalism and Ethnocentrism
Assembling 'indigeneity' through musical practices
Ecuadoran Media Lengua
Constructing community in the digital home studio
Laughing Atfirst Contact
Intercultural Processes in Kichwa Governed Municipalities in Northern Ecuador
Multicultural Market Democracy
Legitimate Peripheral Participation and Language Learning
"Surfing the Tube" for Latin American Song
The World in Dress
The Rise and Fall of Cheap Chinese Goods in Ecuadorian Popular Markets
Rafael Correa's Multicolored Dream Shirt
Othering theMestizo
Andean Utopias in Evo Morales's Bolivia
Mis-placed Boomerangs
The nation-state, identity management, and indigenous crafts
How an Egalitarian Polity Structures Tourism and Restructures Itself Around It
| Unique citing works | 34 |
|---|---|
| Citations per year | 1,55 |
| Citation span | 2004 - 2026 (23) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 32 |