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In Touch with the Earth? Musical Instruments, Gender and Fertility in the Bolivian Andes

Bibliographic Data

ID7096310
AuthorsHenry Stobart (Royal Holloway University of London, corresponding author)
Year2008
Volume17
Issue1
Pages67-94
Publication date2008-05-12
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueBritish Journal of Ethnomusicology (JOURNAL)
Journal identifiersISSN: 0968-1221 • E-ISSN: 1741-1920
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/17411910801972958
OpenAlexW2064959308
LanguageEN
Citations received5
References cited30

This essay discusses beliefs and practices concerning gender, musical instruments and vocal performance in rural communities of northern Potosi′, in the Bolivian Andes. While instrumental performance is a male preserve, critical to the construction and expression of manhood, it is also argued that much value is ascribed to women's singing and creation of song poetry. It is further suggested that women's exclusion from instrumental performance should not necessarily be understood in terms of subordination, but approached within broader models and contexts of gender relations. This involves exploring gendered aspects of fertility, llama husbandry, seasonality, the cosmos and the landscape, leading to an examination of courtship, androgyny, notions of ‘marked’ and ‘unmarked’ gender, and the possibility of multiple gender and degrees of gendering

Androgyny · Art · Courtship · Expression (computer science · Fertility · Geography · Linguistics · Literature · Masculinity · Musical · Musical expression · Poetry · Population · Singing · Sociology · Subordination (linguistics · Value (mathematics · Anthropological Studies and Insights · Colonialism, slavery, and trade · Demography · Ecology · Gender Studies · Southeast Asian Sociopolitical Studies

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Unique citing works5
Citations per year0,56
Citation span2017 - 2025 (9)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 5

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