Moscow, the Fourth Rome
Stalinism, Cosmopolitanism, and the Evolution of Soviet Culture, 1931-1941
Bibliographic Data
| ID | 19948859 |
|---|---|
| Authors | Katerina Clark (0009-0005-2210-1034, corresponding author) |
| Year | 2011 |
| Pages | 432 |
| Publication date | 2011-12-31 |
| Open Access | No |
| Type | BOOK |
| Venue | Moscow, the Fourth Rome (SOURCE_BOOK) |
| Publisher | Harvard University Press (PUBLISHER • US) |
| DOI | 10.4159/harvard.9780674062894 |
| OpenAlex | W4205568345 |
| Open Library | OL24885870M |
| ISBN | 9780674062894 |
| Language | EN |
| Citations received | 61 |
In the early sixteenth century, the monk Filofei proclaimed Moscow the “Third Rome.” By the 1930s, intellectuals and artists all over the world thought of Moscow as a mecca of secular enlightenment. In Moscow, the Fourth Rome , Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world. Clark provides an interpretative cultural history of the city during the crucial 1930s, the decade of the Great Purge. She draws on the work of intellectuals such as Sergei Eisenstein, Sergei Tretiakov, Mikhail Koltsov, and Ilya Ehrenburg to shed light on the singular Zeitgeist of that most Stalinist of periods. In her account, the decade emerges as an important moment in the prehistory of key concepts in literary and cultural studies today—transnationalism, cosmopolitanism, and world literature. By bringing to light neglected antecedents, she provides a new polemical and political context for understanding canonical works of writers such as Brecht, Benjamin, Lukacs, and Bakhtin. Moscow, the Fourth Rome breaches the intellectual iron curtain that has circumscribed cultural histories of Stalinist Russia, by broadening the framework to include considerable interaction with Western intellectuals and trends. Its integration of the understudied international dimension into the interpretation of Soviet culture remedies misunderstandings of the world-historical significance of Moscow under Stalin
Geography · Eastern European Communism and Reforms · 1917-1970 · 1925-1953 · 20th century · Communism · Cosmopolitanism · Europe · History · Influence · Intellectual life · Internationalism · joseph Stalin (1879-1953) · Moscow · Moscow (Russia) · Popular Culture · Russia · Social change · Soviet Union
Fábricas de comunistas
M oscow
Moscow as an Anti-colonial Hub for Lusophone African Activists
Prokofiev's Soviet Operas
Divergence and Convergence
Boy Meets Camera
The New Socialist City
“Under the Sway of Coal,” or a Story of the British Coal Miner Harold Heslop, Who Failed to Become a Soviet Writer
Paper Soldiers
Dramatic Scenes and Monstrous Animals
The Western Artist in Stalin’s Moscow
Valentin Kruchinin and the Queen of Mars
Kaleidoscopic Antifascism
Literary Realignment
The Great Terror on steroids
Between the battlefield and the marketplace
Soviet eco-cosmopolitanism? Oceans in late Soviet travel literature
Cibeles en el Palacio de los Soviets. Debates sobre monumentalidad en la Guerra Civil Española
The consolidation dilemma in European order transformation
Jewish in Form, Socialist in Content? Jewish Identity and Soviet Subjectivity at the Trial of the Jewish Anti-Fascist Committee
Soviet internationalism as a strange attractor
The Apogee of Soviet Political Romanticism
Framing the Socialist City as Practice
From Iron Curtain to Velvet Curtain? Peter Brook's Hamlet and the Origins of British–Soviet Cultural Relations during the Cold War
Transnational History
The ‘First Exhibition of Russian Art’ in Berlin
The Fate of Interwar Soviet Internationalism
Heroism or Tragedy
Mikhail Lifshits and the Soviet image of Giambattista Vico
‘Here is my Space’
Monuments of Ruination in Postwar Berlin and Warsaw
Knowing the World and Educating the Self
Memorializing Akhundzadeh
Peeking under the Asian Iron Curtain
Resituating Nikolai Marr
Anti-Westernism on the European Periphery
Comintern Aesthetics in the Andes
Soviet Persian Anthologies
There shall be no musical servitude’
The Sovietization of Lithuania after WWII
Nationalized Cosmopolitanism with Communist Characteristics
Nils Meier, Die Zeitschrift “Literaturnyi kritik” im Zeichen sowjetischer Literaturpolitik
Enclosure, writing, and resistance
Affective machines or the inner self? Drawing the boundaries of the female body in the socialist romantic imagination
Bach’s grave as Communist legacy
Rafael Alberti y María Teresa León en su viaje a América en 1935 y las redes literarias transnacionales
The shock of the old
The Soviet Invention of Postcolonial Studies
Actually-Existing Success
Transnational circulation of cultural form
Viacheslav Ivanov in the 1930s
World Literature and Socialist Internationalism in the Weimar Republic
Small Socialism
Introduction
Transnationalism in One Country? Seeing and Not Seeing Cross-Border Migration within the Soviet Union
Scripted Spaces
I wish for my life's roses to have fewer thorns
The Dialectics of Nature in Kara-Kum
Abram Room, A Strict Young Man, and the 1936 Campaign against Formalism in Soviet Cinema
Clandestine Cosmopolitanism
Afforestation, Propaganda, and Agency
| Unique citing works | 61 |
|---|---|
| Citations per year | 4,69 |
| Citation span | 2013 - 2025 (13) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 60 |