Greek Tragic Style
Form, Language and Interpretation
Bibliographic Data
| ID | 19949415 |
|---|---|
| Authors | R B Rutherford (University of Oxford, corresponding author) |
| Year | 2012 |
| Publication date | 2012-05-10 |
| Open Access | Yes |
| Type | BOOK |
| Venue | Greek Tragic Style (SOURCE_BOOK) |
| Publisher | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/cbo9780511842771 |
| OpenAlex | W4299799933 |
| ISBN | 9780511842771 |
| Open Library | OL34472054M |
| Language | EN |
| Citations received | 44 |
Greek tragedy is widely read and performed, but outside the commentary tradition detailed study of the poetic style and language of Aeschylus, Sophocles and Euripides has been relatively neglected. This book seeks to fill that gap by providing an account of the poetics of the tragic genre. The author describes the varied handling of spoken dialogue and of lyric song; major topics such as vocabulary, rhetoric and imagery are considered in detail and illustrated from a broad range of plays. The contribution of the chorus to the dramas is also discussed. Characterisation, irony and generalising statements are treated in separate chapters and these topics are illuminated by comparisons which show not only what is shared by the three major dramatists but also what distinguishes their practice. The book sheds light both on the genre as a whole and on many particular passages
Art · Chorus · Greek tragedy · Irony · Linguistics · Literature · Poetics · Poetry · Rhetoric · Style (visual arts) · Tragedy (event) · Vocabulary · Classical Antiquity Studies · History · Philosophy · Ancient, Classical & Medieval · Greek drama · Greek drama, history and criticism · History and criticism · Literary collections · To 1500
Music and Dance in Tragedy After the Fifth Century
Hellenistic Tragedy and Satyr-Drama; Lycophron’s Alexandra
Beyond Athens
The Exagōgē of Ezekiel the Tragedian
Theatre Performance After the Fifth Century
The Expansive Scale of the Roman Antiquities
The Rhesus
Greek Tragedy After the Fifth Century
Greek Tragedy and the Theatre of Sisterhood
How Roman Are the Antiquities ? The Decemvirate according to Dionysius
The Prehistory of the Roman polis in Dionysius
The Fifth Century and After
Scholars and Scholarship on Tragedy
Ways of Killing Women
Suffering in Silence
Experiencing the Past
Dionysius and Horace
Women in Love in the Fragmentary Plays of Sophocles
Female Violence towards Women and Girls in Greek Tragedy
Society and Politics in Post-Fifth-Century Tragedy
Dionysius and Lysias’ Charm
Dionysius’ Demosthenes and Augustan Atticism
Attitudes Towards Tragedy from the Second Sophistic to Late Antiquity
Greek Tragedy in the Fourth Century
Dionysius of Halicarnassus and the Idea of the Critic
Dionysius on Regime Change
Ancient Plays
‘Look! […] Things People Can’t See!’ Wordbooks, Reader-Listenership, and Invisible Theatre in Handel’s Oratorios
How Style Met the City
Speech Imperialization? Situating American Parrhesia in an Isegoria World
Double-Bind, Baleful Hope
La lengua de Hécuba como suplicante en la tragedia homónima
Generalization and Characterization in Sophocles’ Trachiniae and Antigone
Bacchylides Playing Tragic
Dionysius of Halicarnassus and Augustan Rome
Female Characters in Fragmentary Greek Tragedy
Sophocles
Cassandra and the Poetics of Prophecy in Greek and Latin Literature
Cosmography and the Idea of Hyperborea in Ancient Greece
“Religion is dying”. Doubting the Divine in Sophocles’ Oedipus Tyrannus
Irony, Tragedy, Deception
Swinburne’s Atalanta in Calydon
Behaghel's Club
Aristophanes and the Cult of the Saviour
| Citations per year | 3.67 |
|---|---|
| Citation span | 2014 - 2025 (12) |
| Highly cited | No |