Graphics and text in the production of technical knowledge in China
The warp and the weft
Bibliographic Data
| ID | 19983855 |
|---|---|
| Editors | Francesca Bray (0000-0002-3248-7787), Vera Dorofeeva-Lichtmann, Georges Métailié |
| Year | 2007 |
| Pages | 772 |
| Publication date | 2007-01-01 |
| Open Access | No |
| Type | BOOK |
| Venue | Graphics and Text in the Production of Technical Knowledge in China (SOURCE_BOOK) |
| Publisher | Brill (PUBLISHER • NL) |
| OpenAlex | W2981425467 |
| ISBN | 9789004160637 |
| Open Library | OL18278192M |
| Language | EN |
This collection offers a challenging new interpretation of technical knowledge in Chinese thought and practice. Conveying technical knowledge in China through charts, plans or drawings (tu) dates back to antiquity. Earlier studies focused on specialised forms of tu like maps or drawings of machines. Here, however, tu is identified in Chinese terms, viz. as a philosophical category of knowledge production: visual templates for action, spanning a range from mandala to modernist mapping projects, inseparable from writing but with distinctive powers of communication. A distinction is made between two principal types of tu: ritual/symbolic and representational, highlighting essential issues such as historical shifts in their significance, the relations between tu and political power, media for inscribing tu and the impact of printing, and encounters with the West
Action (physics) · Archaeology · Arrow · Art · China · Computer graphics (images) · Economics · Epistemology · Graphics · Interpretation (philosophy) · Knowledge management · Knowledge production · Principal (computer security) · Production (economics) · Visual arts · Chinese history and philosophy · Computer Science · Historical Linguistics and Language Studies · History · Philosophy · Cartography · china · Communication of technical information · Medical illustration · Technical illustration · Technology · Visual communication
| Highly cited | No |
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