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Left of the color line

Race, radicalism, and twentieth-century literature of the United States

Bibliographic Data

ID19985155
AuthorsBill V Mullen, Bill Mullen, James Smethurst, James Edward Smethurst, Name Missing
Year2003
Pages331
Publication date2003-10-13
Open AccessNo
TypeBOOK
VenueLeft of the color line (SOURCE_BOOK)
PublisherUniversity of North Carolina Press (PUBLISHER • US)
OpenAlexW1524015955
Open LibraryOL3672964M
ISBN9780807827994
LanguageEN

This collection of fifteen new essays explores the impact of the organized Left and Leftist theory on American literature and culture from the 1920s to the present. In particular, the contributors explore the participation of writers and intellectuals on the Left in the development of African American, Chicano/Chicana, and Asian American literature and culture. By placing the Left at the center of their examination, the authors reposition the interpretive framework of American cultural studies. Tracing the development of the Left over the course of the last century, the essays connect the Old Left of the pre-World War II era to the New Left and Third World nationalist Left of the 1960s and 1970s, as well as to the multicultural Left that has emerged since the 1970s. Individual essays explore the Left in relation to the work of such key figures as Ralph Ellison, T. S. Eliot, Chester Himes, Harry Belafonte, Americo Paredes, and Alice Childress. The collection also reconsiders the role of the Left in such critical cultural and historical moments as the Harlem Renaissance, the Cold War, and the Black Arts Movement of the 1960s and 1970s. The contributors are Anthony Dawahare, Barbara Foley, Marcial Gonzalez, Fred Ho, William J. Maxwell, Bill V. Mullen, Cary Nelson, B. V. Olguin, Rachel Rubin, Eric Schocket, James Smethurst, Michelle Stephens, Alan Wald, and Mary Helen Washington. |This collection of fifteen new essays explores the impact of the organized Left and Leftist theory on American literature and culture from the 1920s to the present. In particular, the contributors explore the participation of writers and intellectuals on the Left in the development of African American, Chicano/Chicana, and Asian American literature and culture. By placing the Left at the center of their examination, the authors reposition the interpretive framework of American cultural studies

American literature · Art · Art history · Harlem Renaissance · Humanities · Left-wing politics · Literature · Nationalism · New Left · Performance art · Political radicalism · Political science · Politics · History · Law · Race, History, and American Society · 20th century · African americans in literature · History and criticism · Minorities in literature · Politics and literature · Politics in literature · Race in literature · race relations · Race relations in literature · Radicalism · Radicalism in literature · Right and left (Political science) · Right and left (Political science) in literature · united states

Citation velocityhistorical
Highly citedNo

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