James Edward Smethurst
Biographic Data
| ID | 1484639 |
|---|---|
| NAME | James Edward Smethurst |
| GIVEN NAMES | James Edward |
| FAMILY NAME | Smethurst |
| SIGNATURE | SMETHURST J E |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 9 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2003 |
| H-INDEX | 1 |
Left of the color line: Race, radicalism, and twentieth-century literature of the United States
This collection of fifteen new essays explores the impact of the organized Left and Leftist theory on American literature and culture from the 1920s to the present. In particular, the contributors explore the participation of writers and intellectuals on the Left in the development of African American, Chicano/Chicana, and Asian American literature and culture. By placing the Left at the center of their examination, the authors reposition the int…
New Negro, Old Left: African-American Writing and Communism between the Wars
Journal Article New Negro, Old Left: African-American Writing and Communism between the Wars. By William J. Maxwell. New York: Columbia University Press and The New Red Negro: The Literary Left and African American Poetry, 1930–1946. By James Edward Smethurst. New York: Oxford University Press Get access Donald B. Gibson Donald B. Gibson Rutgers University, New Brunswick, New Jersey Search for other works by this author on: Oxford Academic Google…
The New Red Negro: The Literary Left and African-American Poetry, 1930-1946
Introduction: Of the Coming of the New Red Negro 1: African-American Poetry, Ideology, and the Left during the 1930s and 1940s from the Third Period to the Popular Front and Beyond 2: Strong Men Gittin' Stronger: Sterling Brown and the Representation and Re-creation of the Southern Folk Voice 3: Adventures of a Social Poet: Langston Hughes in the 1930s 4: Am Black and I Have Seen Black Hands: The Narratorial Consciousness and Constructions of the…
The New Red Negro: The Literary Left and African-American Poetry, 1930-1946
Introduction: Of the Coming of the New Red Negro 1: African-American Poetry, Ideology, and the Left during the 1930s and 1940s from the Third Period to the Popular Front and Beyond 2: Strong Men Gittin' Stronger: Sterling Brown and the Representation and Re-creation of the Southern Folk Voice 3: Adventures of a Social Poet: Langston Hughes in the 1930s 4: Am Black and I Have Seen Black Hands: The Narratorial Consciousness and Constructions of the…
New Negro, Old Left: African-American Writing and Communism between the Wars
Journal Article New Negro, Old Left: African-American Writing and Communism between the Wars. By William J. Maxwell. New York: Columbia University Press and The New Red Negro: The Literary Left and African American Poetry, 1930–1946. By James Edward Smethurst. New York: Oxford University Press Get access Donald B. Gibson Donald B. Gibson Rutgers University, New Brunswick, New Jersey Search for other works by this author on: Oxford Academic Google…
The New Red Negro: The Literary Left and African-American Poetry, 1930-1946
Introduction: Of the Coming of the New Red Negro 1: African-American Poetry, Ideology, and the Left during the 1930s and 1940s from the Third Period to the Popular Front and Beyond 2: Strong Men Gittin' Stronger: Sterling Brown and the Representation and Re-creation of the Southern Folk Voice 3: Adventures of a Social Poet: Langston Hughes in the 1930s 4: Am Black and I Have Seen Black Hands: The Narratorial Consciousness and Constructions of the…
Left of the color line: Race, radicalism, and twentieth-century literature of the United States
This collection of fifteen new essays explores the impact of the organized Left and Leftist theory on American literature and culture from the 1920s to the present. In particular, the contributors explore the participation of writers and intellectuals on the Left in the development of African American, Chicano/Chicana, and Asian American literature and culture. By placing the Left at the center of their examination, the authors reposition the int…
Art (3 works) · History (3 works) · Literature (3 works) · Race, History, and American Society (3 works) · Art history (2 works) · Law (2 works) · Poetry (2 works) · Political science (2 works) · Politics (2 works) · 20th century (1 works)