The New Red Negro
The Literary Left and African-American Poetry, 1930-1946
Bibliographic Data
| ID | 4546199 |
|---|---|
| Authors | William J Maxwell, James Smethurst, James Edward Smethurst |
| Year | 2001 |
| Volume | 35 |
| Issue | 1 |
| Pages | 143 |
| Publication date | 2001-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | African American Review (JOURNAL) |
| Journal identifiers | ISSN: 1062-4783 • E-ISSN: 1945-6182 |
| Publisher | Penn State Press (Project Muse) (PUBLISHER) |
| DOI | 10.2307/2903346 |
| OpenAlex | W75594514 |
| Language | EN |
| Citations received | 16 |
Introduction: Of the Coming of the New Red Negro 1: African-American Poetry, Ideology, and the Left during the 1930s and 1940s from the Third Period to the Popular Front and Beyond 2: Strong Men Gittin' Stronger: Sterling Brown and the Representation and Re-creation of the Southern Folk Voice 3: Adventures of a Social Poet: Langston Hughes in the 1930s 4: Am Black and I Have Seen Black Hands: The Narratorial Consciousness and Constructions of the Folk in 1930s African-American Poetry 5: Hughes's Shakespeare in Harlem and the Rise of a Popular Neomodernism 6: Hysterical Ties: Gwendolyn Brooks and the Rise of a High Neomodernism 7: The Popular Front, World War II, and the Rise of Neomodernism in African-American Poetry of the 1940s Conclusion: Sullen Bakeries of Total Recall Notes Works Consulted Index
Art · Literature · Poetry · American and British Literature Analysis · History · Race, History, and American Society
A “High Tension” in Langston Hughes’s Musical Verse
Biography and the Political Unconscious
Sterling Brown and the Dialect of New Deal Optimism
Africa/America
Modernism in the Black Diaspora
Remembering When Indians Were Red
The Blues Tribute Poem and the Legacies of Gertrude "Ma" Rainey and Bessie Smith
I Knew that Spain Once Belonged to the Moors”
Return of the Native”
The Vernacular Sonnet and the Resurgence of Afro-Modernism in the 1940s
The American Communist Party and the “Negro Question” from the Founding of the Party to the Fourth Congress of the Communist International
Color around the Globe
God's Black Revolutionary Mouth
The Black Arts Movement and Its Scholars
Proletarian Literature from the Bottom Up
Sono-Montage
| Unique citing works | 16 |
|---|---|
| Citations per year | 0,67 |
| Citation span | 2002 - 2020 (19) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 13 |