Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

The Lord’s Song in a Strange Land

Music and Identity in Contemporary Jewish Worship

Bibliographic Data

ID20006401
AuthorsJeffrey A Summit (corresponding author)
Year2000
Pages203
Publication date2000-11-02
Open AccessNo
TypeBOOK
VenueThe Lord's song in a strange land (SOURCE_BOOK)
PublisherOxford University PressNew York, NY (PUBLISHER)
DOI10.1093/oso/9780195116779.001.0001
OpenAlexW4388342308
Open LibraryOL15490381M
ISBN9780195116779
LanguageEN
Citations received9

Across the United States, Jews come together every week to sing and pray in a wide variety of worship communities. Through this music, made by and for ordinary folk, these Jews define and re-define their relationship to the continuity of Jewish tradition and the realities of American life. Combining oral history and an analysis of recordings, The Lord’s Song in a Strange Land examines the music in contemporary Jewish worship and explores the diverse links between the music and spiritual and cultural identities. Alive with detail, the book focuses on metropolitan Boston and covers the full range of Jewish communities there, from Hasidim to Jewish college students in a transdenominational setting. It documents a remarkably fluid musical tradition, where melodies are often shared, where sources can be as as diverse as Sufi chant, Christmas carols, rock and roll, and Israeli popular music, and where the meaning of a song can change from one block to the next

Aesthetics · Archaeology · Art · Folk music · Haskalah · Jewish music · Jewish studies · Judaism · Literature · Meaning (existential) · Melody · Musical · Musical form · Popular music · Theology · Variety (cybernetics) · Visual arts · Worship · History · Jewish and Middle Eastern Studies · Jewish Identity and Society · Philosophy · Race, History, and American Society · Boston · History and criticism · Instruction & Study · Jews · Judaism, liturgy · Juifs · Liturgy · Massachusetts · Music · Musique · Musique synagogale · Synagogue music · Synagogue music, history and criticism · Theory · united states

  • Peripheries and interfaces

    Open Access•Jonathan P J Stock, Jonathan Stock•CAMBRIDGE HISTORY OF TWENTIETH-CENT…•2004

  • Singing praise in the streets

    Monique M Ingalls•Culture and Religion•2012

  • Jewish Music and Modernity

    Philip V Bohlman, Philip Bohlman•Jewish Music and Modernity•2008

  • Guest Editor’s Introduction

    Open Access•Mark L Kligman, Mark Kligman•Contemporary Jewry•2015

  • Singing in Hebrew or Reading in English? An Ethnographic Analysis of Music and Change Among Progressive Jews in the UK

    Open Access•R Illman•Contemporary Jewry•2018

  • In Concert and Alone

    Open Access•Kathleen E Jenkins•Journal for the Scientific Study…•2010

  • Sound and American Religions

    Open Access•Isaac A Weiner, Isaac Weiner•Religion Compass•2009

  • Habitus Formation Through Contemporary Worship Music in Two Church Cases

    Open Access•Laura Benjamins•Religions•2025

  • Musical Boundary-Work

    Marc Meistrich Gidal, Marc Gidal•Ethnomusicology•2014

Unique citing works9
Citations per year0,41
Citation span2004 - 2025 (22)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 9

Tools

Open DOILibgen
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae