Conjuring Culture
Biblical Formations of Black America
Bibliographic Data
| ID | 20009607 |
|---|---|
| Authors | T Smith (0000-0001-5882-1934, corresponding author), Theophus Harold Smith |
| Year | 1994 |
| Pages | 287 |
| Publication date | 1994-02-24 |
| Open Access | No |
| Type | BOOK |
| Reviewed by | Conjuring Culture: Biblical Formations of Black America, Lewis V Baldwin, 1995 |
| Venue | Conjuring culture (SOURCE_BOOK) |
| Publisher | Oxford University PressNew York, NY (PUBLISHER) |
| DOI | 10.1093/oso/9780195067408.001.0001 |
| Wikidata | Q113535374 |
| OpenAlex | W4388385656 |
| Open Library | OL1400395M |
| ISBN | 9780195067408 |
| Language | EN |
| Citations received | 75 |
This book provides a sophisticated new interdisciplinary interpretation of the formulation and evolution of African American religion and culture. Theophus Smith argues for the central importance of “conjure”—a magical means of transforming reality—in black spirituality and culture. Smith shows that the Bible, the sacred text of Western civilization, has in fact functioned as a magical formulary for African Americans. Going back to slave religion, and continuing in black folk practice and literature to the present day, the Bible has provided African Americans with ritual prescriptions for prophetically re-envisioning, and thereby transforming, their history and culture. In effect the Bible is a “conjure book” for prescribing cures and curses, and for invoking extraordinary and Divine powers to effect changes in the conditions of human existence—and to bring about justice and freedom. Biblical themes, symbols, and figures like Moses, the Exodus, the Promised Land, and the Suffering Servant, as deployed by African Americans, have crucially formed and reformed not only black culture, but American society as a whole. Smith examines not only the religious and political uses of conjure, but its influence on black aesthetics, in music, drama, folklore, and literature. The concept of conjure, he shows, is at the heart of an indigenous and still vital spirituality, with exciting implications for reconfiguring the next generation of black studies and black theology. Even more braodly, Smith proposes, “conjuring culture” can function as a new paradigm for understanding Western religious and cultural phenomena generally
Aesthetics · Art · Civilization · Drama · Exorcism · Folklore · Indigenous · Interpretation (philosophy) · Literature · Popular culture · Sociology · Spirituality · Anthropology · History · Philosophy · Race, History, and American Society · Religious studies · 11.59 church history, history of doctrine: other · 73.58 magic (ethnology) · African americans · Bezweringen · Bibel · Bible · Bible, criticism, interpretation, etc · Bijbel · Christianity · Criticism, interpretation · Criticism, interpretation, etc · Culturele aspecten · History of doctrines · Influence · Kultur · Magic · Magie · Religion · Religion and culture · Religious aspects · Religious aspects of Magic · Typology (Theology) · united states · Western civilization
Moses, Monster of the Mountain
Self-Care Among Chronically Ill African Americans
Embodying African Knowledge in Colonial Surinam
Early Twentieth Century New Black Religious Movements in the United States
Making Magic
Locating ‘Contextual Bible Study’ within biblical liberation hermeneutics and intercultural biblical hermeneutics
The Dangers of Reading As We Know It
Conjuring Sacred Space in Gulf Coast Cities
Postcolonial Sparagmos
Conjured from Fragments
“Yo’ Kin Cut All Kinda Tricks”
Black Theology and the History of U.S. Black Religions
Exodus as Travelling Theory
The same old danger/but a brand new pleasure”
A Tale of Two Liberalisms
A transformative pedagogy for a decolonial world
Did the Gods of Africa Die? A Re-Examination of a Carroll House Crystal Assemblage
The Language of Apocalypse
Sweaty Bodies in a Circle
The Archaeology of Early African American Communities in Talbot County, Eastern Shore, Maryland, U.S.A., and Their Relationship to Slavery
"Liberation Theology Does Not Yet Seem to be Easily Applicable in Britain"
The Echoes of Conjure in African American Christianity as Enfleshed Memory
Holy Hip Hop in the City of Angels
One Percenters
America's Bibles
Infrastructure in Black
Three Eyes for the Journey
Wade Nobles
Ethics, Cultural Competence, and the Changing Face of America
Grime and Spirit
Plantation Ecologies
Presidential Testimony
On the Limits of Rights and Representation
Leaving the Good Mother
Conjure and Christianity in the Nineteenth Century
Feathered footsteps
Faith on Trial
Holler if Ya Hear Me”
Church Culture as a Strategy of Action in the Black Community
On Conjuring Mahalia
Conjuring Pasts and Ethnographic Presents in Zora Neale Hurston's Modernity
Africana Religious Studies
I Know It Was the Blood
Dangerous memories and redemptive possibilities
Traumatic Utopias
New Orleans in the World and the World in New Orleans
The political economy of archaeological cultures
The Afro-Theosophysics of Robert T. Browne
The Promises of Scripture Were All for the Black People”
Engendering Slave Religion
The Use of the New Testament in the American Slave Controversy
"Going "Where They Dare Not Follow
A Great Camp Meeting
Hidden in view
Did the Prophets Teach Us to Protest
All that is dark, potential, and quiet
Conjuring in the Big House Kitchen
The voices of Jacob on the streets of Brooklyn
| Unique citing works | 58 |
|---|---|
| Citations per year | 2,42 |
| Citation span | 1995 - 2025 (31) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 73 |