Redefining Hungarian Music from Liszt to Bartók
Bibliographic Data
| ID | 20014876 |
|---|---|
| Authors | Lynn M Hooker (corresponding author) |
| Year | 2013 |
| Pages | 302 |
| Publication date | 2013-12-03 |
| Open Access | No |
| Type | BOOK |
| Venue | Redefining Hungarian music from Liszt to Bartók (SOURCE_BOOK) |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/acprof:oso/9780199739592.001.0001 |
| OpenAlex | W644342793 |
| ISBN | 9780199739592 |
| Open Library | OL26922962M |
| Language | EN |
| Citations received | 5 |
Some of the most popular works of 19th-century music were labelled either 'Hungarian' or 'Gypsy' in style, including many of the best-known and least-respected of Liszt's compositions. In the early 20th century, Bela Bartok and his colleagues questioned not only the Hungarianness but also the good taste of that style. Bartok argued that it should be discarded in favour of a national style based in the 'genuine' folk music of the rural peasantry
Aesthetics · Art · Context (archaeology) · Folk music · Highbrow · Ideology · Literature · Mainstream · Musical · National identity · Political science · Politics · Popular music · Romance · Romanticism · Style (visual arts) · Central European national history · History · Law · Romani and Gypsy Studies · civilization · Europe · History and criticism · Hungary · Instruction and study · Music · Music, history and criticism · Music, hungarian · Musik · Nationalism in music · Nationalmusik
| Citations per year | 0.38 |
|---|---|
| Citation span | 2013 - 2023 (11) |
| Highly cited | No |