“ Hoc Visibile Imaginatum Figurat Illud Invisibile Verum ”

Limiting itself to the vital centuries when the late Roman West reshaped itself into a first “Europe”, the conference on which the volume is based explored the dominant understanding of human nature in that era: that human existence was both body (in the visible world of material things) and soul (in the invisible world of spirit). This was a legacy of pre-Christian elements handed down from Greek philosophy and the Hebrew Scriptures. Assimilating it to indigenous cultures in the Roman West, many alien to the ancient Mediterranean world, precipitated sea-changes in the conception of human psychology. Ensuing frictions sparked extraordinary expressions of creativity in words and visual images. It also created dangerously subversive disequilibria in the collective mentality within élites and between them and majority cultures. The papers in this volume investigate numerous configurations of a new culture taking shape in that volatile environment. They contribute to continuing debates about the cognitive co-ordination of words and pictorial images, and to cross-disciplinary dialogues in such disparate fields as art history, religious literature, mysticism, and cultural anthropology

Aesthetics · Art · Epistemology · Humanism · Literature · Mysticism · Soul · Theology · Byzantine Studies and History · Classical Antiquity Studies · Historical, Religious, and Philosophical Studies · History · Philosophy

• The invisible divine in the history of art. Is Erwin Panofsky (1892–1968) still relevant for decoding Christian iconography

  Open Access•Ralf van Bühren, Maciej Jan Jasiński•Church, Communication and Culture•2024

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• Was the East Latin

  Open Access•Avital Heyman•Mediterranean Historical Review•2021

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