Cult Television as Digital Television’s Cutting Edge
Bibliographic Data
| ID | 20041578 |
|---|---|
| Authors | Roberta Pearson (corresponding author) |
| Year | 2011 |
| Pages | 105-131 |
| Publication date | 2011-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | CHAPTER |
| Venue | Television As Digital Media (SOURCE_BOOK) |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/9780822393658-005 |
| OpenAlex | W3081780629 |
| ISBN | 9780822393658 |
| Language | EN |
| Citations received | 11 |
| References cited | 120 |
Advertising · Ancient history · Art · Business · Cult · Digital television · Digital video · Enhanced Data Rates for GSM Evolution · Telecommunications · Asian Culture and Media Studies · Computer Science · History · Hong Kong and Taiwan Politics · Media Studies and Communication
Introduction
Psy-drama from Martín-Barbero’s perspective
Is this TVIV? On Netflix, TVIII and binge-watching
Gaming I, II, and III
Fandom in the Digital Era
Scripting Black Gayness
Turning the political into ideology
Resisting the romance
We Pay to Buy Ourselves’
Play next episode
History and Place in Television Drama
Television
Haunted Media
Wired Shut
The Feminist, the Housewife, and the Soap Opera
Re‐Reading Popular Culture
Digital Capitalism
Inside Culture
Television Drama
Television And Everyday Life
The work of being watched
Non-places
Television
TV Futures
Tele‐branding in Tviii
Production Studies
'Two many kids and old ladies'
BBC to the Rescue!
Film and Television After DVD
Technological Developments in Central-Eastern Europe
Constraints on a Broadcast Innovation
‘Take back the tube!’
Performance and customer service
Cultural Citizenship in the Age of P2P Networks
Convergence Culture
The Television History Book
New Media
Ambient Television
Encyclopedia of Television
Media, Modernity and Technology
Video Playtime
Understanding Celebrity
Approaching the Mobile Culture of East Asia
History Workshop Journal
Living Room Wars
The Philosophy of Money
'The viewers have … taken over the airwaves'? Participation, reality TV and approaching the audience-in-the-text
On Location
Digital Switchover in Europe
Framing Celebrity
Publishing Flow
Transformation of the World Television System under Neoliberal Globalization, 1983 to 2003
Small Talk Makes a Big Difference
Big Brother
The kinder, gentler gaze of Big Brother
The mass production of celebrity
Aesthetics and Quality in Popular Television Drama
Living on Dawson’s Creek
Docudramatizing history on TV
From piracy to sovereignty
A response to John Corner
Uncertain Vision
Citizens and consumers
Welcome to the Dreamhouse
Dangerous Media? Panic Discourses and Dilemmas of Modernity
Undead TV
Media Rituals
The spin‐off as television program form and strategy
Reality TV
Your Window-on-the-World
Television and New Media Audiences
Issues of judgement and value in television studies
Reality TV the work of being watched
New Media and Popular Imagination
The Hollywood TV Producer
The Challenge of Changing Audiences
Television Personalities
Exemplarity, Pedagogy and Television History
Make Room for TV
Television studies and the idea of criticism
The Public Service Value of Interactive Television
Seeing Things
The television personality system
Little Players, Big Shows
Television Studies After TV
Media and Cultural Theory
Live Television
Media and everyday life in modern society
Narrative Complexity in Contemporary American Television
Beyond Broadcast YourselfTM
Reconfiguring Television for a Networked, Produsage Context
The BBC's Second-Shift Aesthetics
Why Do They Call it TV When it's Not on the Box? 'New' Television Services and Old Television Functions
What is Television? Comparing Media Systems in the Post-Broadcast Era
Hearing Ordinary Voices
Simians, Cyborgs, and Women
Toward a Network Sociality
| Unique citing works | 11 |
|---|---|
| Citations per year | 0,69 |
| Citation span | 2010 - 2025 (16) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 11 |